Vivaldi Orlando Furioso

Album title:
Vivaldi Orlando Furioso
Composer(s):
Antonio Vivaldi
Works:
Orlando furioso
Performer:
Marie-Nicole Lemieux, Jennifer Larmore, Veronica Cangemi, Philippe Jaroussky, Christian Senn, Kristina Hammarström, Romina Basso; Matheus Ensemble/Jean-Christophe Spinosi; dir. . pierre Audi
Label:
NAIVE
Catalogue Number:
DR2148
Performance:
starstarstarstarstar
Staging:
starstarstarstarnostar
Picture/Sound:
starstarstarstarnostar
5
Reviewer:
BBC Music Magazine
Vivaldi Orlando Furioso

 

Alcina’s is an ‘isle full of noises’ and conductor Jean-Christophe Spinosi knows exactly how to extract every last dramatic nuance from them. He has form, of course. In 2004, with much the same cast, he added a scorching account of Orlando furioso to Naïve’s sumptuously produced Vivaldi Edition. Now he returns to the scene of Alcina’s crimes with a staging by Pierre Audi.

Musically, the Théâtre des Champs-Elysées has marginally toned down the exhilaratingly combative style of the CDs. But his band still plays as if possessed by one of Alcina’s more benign spells. The staging employs shades of grey and looks stylishly simple – some distracting masked strutting and furniture aside. Philippe Jaroussky is a winsome Ruggiero; and filling the  shoes of Bradamante, mezzo Kristina Hammarström is appropriately Brünnhilde-like, capable of polishing off two Ruggieros for breakfast. Stalking the stage like a Baroque Spider-Woman, Jennifer Larmore’s Alcina is the triumph it ever was, and her Act III disintegration is as riveting as Marie-Nicole Lemieux’s Orlando, whose madness holds eye and ear with every heart-wrenching syllable. In a performance as vital as this, however counterintuitive it might seem, Vivaldi can give Handel a run for his operatic money
any day.

Paul Riley