Graupner: Cantatas

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Album title:
Graupner: Cantatas
Composer(s):
Graupner
Works:
Cantatas GWV 1145/11, GWV 1102/11b, GWV 1106/19, GWV 114/11
Performer:
Miriam Feuersinger (soprano); Capricornus Consort Basel
Label:
Christophorus
Catalogue Number:
CHR 77381
Performance:
starstarstarstarstar
Recording:
starstarstarstarstar
5
Reviewer:
BBC Music Magazine
Graupner: Cantatas

Miriam Feuersinger’s debut recording includes four world premieres: as her opening Angst und Jammer (Dread and Woe), soars with silvery clarity above an anguished chromatic string counterpoint, I wonder how much more exquisite Graupner still lies hidden. In fact, he wrote over 1,400 cantatas!

If his employer, Ernst Ludwig, Landgrave of Hesse-Darmstadt, had released him, Graupner would have beaten JS Bach to the post of Leipzig cantor, possibly at huge loss to our musical heritage – Graupner was incredibly prolific while in Darmstadt. Graupner’s musical means – whether harmonies or melodies – are simple. He mostly treats the voice lyrically. GWV1144/11 opens with oboe chorale above motivic strings, before Feuersinger takes over in ethereal mode, pure and vibrato-free, to produce a moment of pure magic.

Graupner’s experience employed as harpsichordist at the Hamburg opera, with Keiser and the young Handel, exerted a strong influence on his musical structures. In several cases, he inserts a recitative between an aria and its repeat, and freely mixes continuo-only with accompanied recitative, including passionate repetitions of phrases, reserved in opera for high drama. His most care-free moments – the ‘sweet laughter’ of a ‘lamenting heart’ – match the charming naivety of Handel during his Italian years.

Excellently recorded – this is quite simply a life-enhancing disc.
 

George Pratt

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