What's On

Your essential guide to all the best concerts taking place in the UK and Ireland. Click here to find out how to submit an event.
Search for an Event
Format: 2015-03-28
Format: 2015-03-28
  • Javascript is required to view this map.
    28 March 2015 - 7:30pm
    Tchaikovsky, Elgar and Rimsky-Korsakov | London Philharmonic Orchestra
    Andreas Brantelid, Jaime Martin, London Philharmonic Orchestra
    Brighton Dome Brighton BN1 1UG
    United Kingdom

    When his older brother started sending letters back home from his naval adventures in the Far East, Nikolai Rimsky-Korsakov fell in love with the faraway land he'd never see. The composer eventually made it as far as Istanbul on a family holiday, but his spellbinding orchestral adventure after The Arabian Nights was as great a tribute to his beloved land of the Orient as anyone could hope to make, and the greatest piece of musical storytelling ever crafted.

    Hear Rimsky-Korsakov's sultry, dramatic and captivating portrayal of the young Sultana Scheherazade's stories here, alongside Tchaikovsky's own slice of orchestral fantasy and Elgar's noble but fierce Cello Concerto.

    Romeo and Juliet Fantasy Overture
    Pyotr Tchaikovsky (1840-1893)
    Concerto for Cello and Orchestra in E minor
    Sir Edward Elgar (1857-1934)
    Scheherazade
    Nikolay Rimsky-Korsakov (1844-1908)
  • Javascript is required to view this map.
    29 March 2015 - 3:00pm
    Tchaikovsky, Elgar and Rimsky-Korsakov | London Philharmonic Orchestra
    Andreas Brantelid, Jaime Martin, London Philharmonic Orchestra
    Congress Theatre Eastbourne BN21 4BP
    United Kingdom

    When his older brother started sending letters back home from his naval adventures in the Far East, Nikolai Rimsky-Korsakov fell in love with the faraway land he'd never see. The composer eventually made it as far as Istanbul on a family holiday, but his spellbinding orchestra adventure after The Arabian Nights was as great a tribute to his beloved land of the Orient as anyone could hope to make, and the greatest piece of musical storytelling ever crafted. Hear Rimsky-Korsakov's sultry, dramatic and captivating portrayal of the young Sultana Scheherazade's stories here, alongside Tchaikovsky's own slice of orchestral fantasy and Elgar's noble but fierce Cello Concerto.

    Romeo and Juliet Fantasy Overture
    Pyotr Tchaikovsky (1840-1893)
    Concerto for Cello and Orchestra in E minor
    Sir Edward Elgar (1857-1934)
    Scheherazade
    Nikolay Rimsky-Korsakov (1844-1908)
  • Javascript is required to view this map.
    28 March 2015 - 7:30pm
    Haydn: The Creation | Bristol Choral Society | Adrian Partington (conductor)
    Adrian Partington, Bristol Choral Society, Bristol Ensemble, David Ireland, Helen-Jane Howells, Paul Badley
    Colston Hall Bristol BS1 5AR
    United Kingdom

    From vivid depictions of initial chaos and darkness, through the creation of light, the world and its inhabitants, Haydn packs his musical creation with inventiveness, wit, beauty and wonder. “I spent much time over it because I expect it to last for a long time,” he wrote. 217 years later, it's easy to see why!

    Die Schöpfung, 'The Creation'
    (Franz) Joseph Haydn (1732-1809)
  • Javascript is required to view this map.
    5 April 2015 - 6:00pm
    Britten Sinfonia: James MacMillan's St Luke Passion
    Britten Sinfonia, Britten Sinfonia Voices, Cardinal Vaughan Schola Cantorum, James MacMillan, Trinity Boys Choir
    Barbican Hall London EC2Y 8DS
    United Kingdom

    Britten Sinfonia continues its close relationship with Scottish composer James MacMillan with Easter performances of his St Luke Passion which takes as its starting point the passage in the Gospel of Luke describing the suffering and death of Jesus. James’s musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music. In writing his Passion MacMillan said “Bach’s music proves that the Passion of Christ has deep beginnings and profound resonance, even for modern man: he opened up a window on the divine love affair with humanity. The greatest calling for an artist, in any age, is to do the same.”

    Post-concert event - Sun 5 Apr - Barbican Hall: A post-concert discussion with James MacMillan and a panel of both music and religious experts (free to ticket holders)

    Image - James MacMillan (c) Philip Gatward

    St Luke Passion
    James MacMillan (1959-)
  • Javascript is required to view this map.
    3 April 2015 - 7:30pm
    Britten Sinfonia: James MacMillan's St Luke Passion
    Britten Sinfonia, Britten Sinfonia Voices, Cardinal Vaughan Schola Cantorum, James MacMillan, Trinity Boys Choir
    King's College Chapel Cambridge CB2 1ST
    United Kingdom

    Britten Sinfonia continues its close relationship with Scottish composer James MacMillan with Easter performances of his St Luke Passion which takes as its starting point the passage in the Gospel of Luke describing the suffering and death of Jesus. James’s musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music. In writing his Passion MacMillan said “Bach’s music proves that the Passion of Christ has deep beginnings and profound resonance, even for modern man: he opened up a window on the divine love affair with humanity. The greatest calling for an artist, in any age, is to do the same.”

    Image - James MacMillan (c) Philip Gatward

    St Luke Passion
    James MacMillan (1959-)
  • Javascript is required to view this map.
    28 March 2015 - 7:30pm
    Music for Easter | Royal Liverpool Philharmonic Orchestra
    James MacMillan, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Simon Emery
    Liverpool Philharmonic Hall Liverpool L1 9BP
    United Kingdom

    Liverpool Philharmonic is 175, and we’re celebrating the way we always have – by looking to the future. And what better way to look forward than with the very first performance of a major new choral work, specially written for our wonderful youth choirs by the man who’s been called Britain’s greatest living composer? James MacMillan’s music is passionate, sincere and charged with emotion: with the man himself conducting, this should be a landmark event in British music. And then MacMillan and the Orchestra continue to reach for the heavens, with music inspired by Easter -- by turns joyous, serene and rapturously beautiful. A celebration for both heart and soul.

    Post-concert discussion (starts 15 minutes after the concert): Conductor James MacMillan, Simon Emery, Liverpool Philharmonic Youth Choir Director and a member of the Liverpool Philharmonic Youth Choir answer your questions about tonight’s performance in the Grand Foyer Bar.

    Leonore Overture No 3
    Ludwig van Beethoven (1770-1827)
    Parsifal Prelude
    Richard Wagner (1813-1883)
    Karfreitags-Zauber (Good Friday Music) from Parsifal
    Richard Wagner (1813-1883)
    Russian Easter Festival Overture
    Nikolay Rimsky-Korsakov (1844-1908)
    A Little Mass
    James MacMillan (1959-)
  • Javascript is required to view this map.
    29 March 2015 - 11:00am
    Emma Johnson
    Emma Johnson, Finghin Collins
    The Old Swan Hotel Harrogate HG1 2SR
    United Kingdom

    Emma Johnson is one of few clarinettists to have established a busy solo career which has taken her to major European, American and Asian venues as well as to Africa and Australasia. As one of the Young Musicians alumni of Harrogate International Festivals who went on to global fame, it is with great delight we welcome her back to Harrogate with Irish pianist Finghin Collins. This prodigious pair present an eclectic programme of
    transposed duets including Beethoven’s Variations on La Ci Darem La Mano, the jazz inspirations of Bernstein and Brahms’s clarinet masterpiece Sonata No 1.

    Variations on 'Là ci darem la mano' from Mozart's 'Don Giovanni'
    Ludwig van Beethoven (1770-1827)
    Sonata for Clarinet (or Viola) and Piano No 1 in F minor
    Johannes Brahms (1833-1897)
    Sonata for Clarinet and Piano
    Francis Poulenc (1899-1963)
    2nd movement, Larghetto, 'Minnehaha's melody' from Sonatina for Violin and Piano in G
    Antonín Dvorák (1841-1904)
    Prelude, Fugue and Riffs
    Leonard Bernstein (1918-1990)
    Pièce en forme de habanera
    Maurice Ravel (1875-1937)
    Czardas
    Vittorio Monti (1868-1922)
  • Javascript is required to view this map.
    30 March 2015 - 7:30pm
    Brahms: Requiem and Saint-Saëns: Organ Symphony | Wimbledon Choral Society
    East London Chorus, Elizabeth Watts, Jacques Imbralio, Michael Higgins, Neil Ferris, Orchestra Vitae, Wimbledon Choral Society
    Royal Festival Hall London SE1 8XX
    United Kingdom

    Wimbledon Choral Society celebrates its centenary season with a performance of one the great choral classics coupled with a blockbuster of a symphony, taking advantage of Royal Festival Hall’s recently rebuilt organ and working with an orchestra of some of the most talented young graduates and students of the London conservatoires.

    The choir is joined by soloists Elizabeth Watts, an Artist in Residence at the Southbank Centre, and Jacques Imbrailo, hailed as ‘the hottest young baritone on the block’ in the Brahms Requiem, sung in German, a choral piece of universal appeal containing some of the most sublime music ever written, and, unlike some conventional settings of the Requiem Mass, its message is full of hope and comfort.

    Ein deutsches Requiem (A German Requiem)
    Johannes Brahms (1833-1897)
    Symphony No 3 in C minor, 'Organ'
    Camille Saint-Saëns (1835-1921)
  • Javascript is required to view this map.
    28 March 2015 - 7:30pm
    Steinberg Duo - The young Richard Strauss
    Louisa Stonehill, Nicholas Burns, Steinberg Duo
    1901 Arts Club London SE1 8UE
    United Kingdom

    The young Strauss was raised on a musical diet of Bach, Beethoven, Mozart and Schubert. This programme highlights these influences in Strauss’s monumental Violin Sonata, written when he was just 26.

    Recently described by The Sunday Telegraph as having both "warm musicality" and "virtuosity", and by Gramophone magazine as "passionately committed advocates", the Steinberg Duo have a growing list of CD releases garnering praise and they have performed in Canada, Spain, Germany and throughout the UK. Nicholas and Louisa are passionate about presenting the violin and piano repertoire as an equal partnership. Each recital in the 1901 Arts Club series revolves around a theme, giving a context through which to listen to repertoire both familiar and new.

    The Club's exclusive bar and lounge are open for the enjoyment of ticketholders an hour before the performance. The performers also invite you to join them there after the performance.

    Sonata for Keyboard and Violin No 33 in E flat
    Wolfgang Amadeus Mozart (1756-1791)
    Sonata for Violin and Piano No 7 in C minor
    Ludwig van Beethoven (1770-1827)
    Sonata for Violin and Piano in E flat major
    Richard Strauss (1864-1949)
  • Javascript is required to view this map.
    29 March 2015 - 6:30pm
    Pergolesi's Stabat mater | Take2! (soprano and countertenor duo)
    Adrian Boorman, Anna Shackleton, Jonathan French, Take2!
    St Helen's Church Benson OX10 6SF
    United Kingdom

    Come along and experience this unusual opportunity to hear a duet performance of Pergolesi's celebrated Passiontide Cantata Stabat mater in the setting of St Helen's Church, located in the village of Benson, South Oxfordshire. Although remodelled in the 1970s the delightful Grade II* listed church of St Helen's dates back to the 12th century and forms a fitting backdrop for a performance of this the most famous composition of the 26year old master of the Italian Baroque and the most frequently reprinted work of the 18th century.

    With its 13th century text, a strongly emotional retelling of the Passion story from the viewpoint of the grieving mother, the Virgin Mary, and extraordinary harmonic language it is little wonder that the popularity of the Stabat mater has endured to this day. The work's feeling of restrained 'sacred opera' is retained this evening, performed in a liturgical context appropriate to Palm Sunday, attempting to recreate what the composer may have originally intended and featuring the etherial combination of solo soprano and countertenor voices singing in the same octave.

    This is a very special event and one not to be missed, irrespective of your religious conviction, featuring the acclaimed Oxford based soloists, soprano Anna Shackleton and countertenor Adrian Boorman, both former students of Birmingham Conservatoire, accompanied by award-winning pianist and Conservatoire tutor, Jonathan French.

    A retiring collection will be made in aid of Church funds.

    "The opening movement of Pergolesi's Stabat mater is the most perfect and touching duet to come from the pen of any composer" Jean-Jacques Rousseau (1712-1778).

    Stabat Mater
    Giovanni Battista Pergolesi (1710-1736)
We use cookies to improve your experience of our website. Cookies perform functions like recognising you each time you visit and delivering advertising messages that are relevant to you. Read more here