COMPOSERS: Debussy,Ravel,Stravinsky
LABELS: EMI
WORKS: String Quartet; Three Pieces for String Quartet; Concertino; Double Canon
PERFORMER: Alban Berg Quartet
CATALOGUE NO: CDM 5 67550 2 Reissue (1984, 1986)
These dark, nervous, sinewy performances will surprise listeners conditioned to think of Debussy and Ravel’s string quartets as wistful, fragile, watercolour impressions – strong emotions kept at a decent distance. Perhaps they strain the point on occasions – the big pizzicato chords at the start of Ravel’s finale sound like repeated hammer-blows; and don’t expect the Italian Quartet’s suave pianissimos. But there are many other places where the power, even the ferocity are confirmed by the score: the accents that launch Debussy’s Quartet are often toned down, even by the generally excellent Italians; not here though – and yes, the climax of the first movement of the Ravel really is marked fff. What makes it all convincing is the control – technically, and in the way musical paragraphs are shaped. It gives the interpretation a tremendous inner authority, and the depth of feeling in the slow movement of the Ravel comes as a very welcome surprise – as though it’s always been there, latent in the music, but never released like this before. The Stravinsky pieces, too, are startlingly vibrant – not the dull exercises they often seem, and an illuminating coupling for the two French quartets. Stephen Johnson
Debussy, Ravel, Stravinsky
These dark, nervous, sinewy performances will surprise listeners conditioned to think of Debussy and Ravel’s string quartets as wistful, fragile, watercolour impressions – strong emotions kept at a decent distance. Perhaps they strain the point on occasions – the big pizzicato chords at the start of Ravel’s finale sound like repeated hammer-blows; and don’t expect the Italian Quartet’s suave pianissimos.
Our rating
5
Published: January 20, 2012 at 1:19 pm