Finnissy: Verdi Transcriptions; Plane Concertos No. 4, Plane Concerto No. 6; Snowdrift; To & Fro

Once again Metier is doing Michael Finnissy proud. This is the fourth release in its ongoing Finnissy survey, and the second to feature the extraordinary pianism of Ian Pace. And what a feast it is. The Verdi Transcriptions form the vast centrepiece, but are framed by two concertos for solo piano (cf Alkan) and two shorter pieces, Snowdrift and To & Fro. As ever with Finnissy, the range of expression is vast. By turns beautiful and disturbing, and rarely less than thoroughly captivating, he refuses to be pigeonholed, always remaining capable of subverting our sense of order or disorder.

Our rating

5

Published: January 20, 2012 at 1:15 pm

COMPOSERS: Finnissy
LABELS: Metier
WORKS: Verdi Transcriptions; Plane Concertos No. 4, Plane Concerto No. 6; Snowdrift; To & Fro
PERFORMER: Ian Pace (piano)
CATALOGUE NO: MSV CD 92027

Once again Metier is doing Michael Finnissy proud. This is the fourth release in its ongoing Finnissy survey, and the second to feature the extraordinary pianism of Ian Pace. And what a feast it is. The Verdi Transcriptions form the vast centrepiece, but are framed by two concertos for solo piano (cf Alkan) and two shorter pieces, Snowdrift and To & Fro. As ever with Finnissy, the range of expression is vast. By turns beautiful and disturbing, and rarely less than thoroughly captivating, he refuses to be pigeonholed, always remaining capable of subverting our sense of order or disorder.

The 18 pieces of the Verdi Transcriptions, ranging from barely more than a minute {o a near half-hour fantasia, each draw material from a different opera. In some, such as that based upon the Romanza from Aida, the source material is readily apparent. Elsewhere the original is simply a starting point, while some pieces are his reaction to the mood created by the relevant points in the operas. The result is something thoroughly new, and entirely compelling, especially when given the ardent advocacy of Ian Pace, whose ability to combine thoughtfulness with extreme virtuosity can be heard nowhere better than here. Recommended. Christopher Dingle

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