It's Not About the Melody

This year’s been a good one for female jazz singers: the UK’s Tina May and Claire Martin have both produced excellent albums, US virtuoso Shirley Horn surpassed herself with the plush, melancholic Here’s to Life; now, the greatest of them all, Betty Carter has issued this superb album. She covers familiar Carter territory – Porter, Cahn, Mercer leavened with gutsy originals – but her trump card, as ever, is her extraordinary emotional intensity.

Our rating

5

Published: January 20, 2012 at 4:15 pm

COMPOSERS: Cahn,Mercer,Porter
LABELS: Verve
WORKS: jazz
PERFORMER: Betty Carter (v) with various trios & Craig Handy (ts)
CATALOGUE NO: 513 870-2

This year’s been a good one for female jazz singers: the UK’s Tina May and Claire Martin have both produced excellent albums, US virtuoso Shirley Horn surpassed herself with the plush, melancholic Here’s to Life; now, the greatest of them all, Betty Carter has issued this superb album. She covers familiar Carter territory – Porter, Cahn, Mercer leavened with gutsy originals – but her trump card, as ever, is her extraordinary emotional intensity. Even jazz singers with less radical approaches to melody tend to obscure lyrics’ meanings in displays of technical virtuosity; Carter’s vocal pyrotechnics – from the trademark swooning yawn to the husky whisper – all spring from a profound sympathy with the spirit of each song she sings, thoroughly justifying the claim in the album’s title. Chris Parker

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