Byrd: Mass for Four Voices; Tristitia et Anxietas; Ne Irascaris, Domine; Vigilate; Prevent us, O Lord; O Lord, make thy servant Elizabeth; Magnificat, from the Great Service; Ave Verum Corpus

Why prefer the CD to the DVD (reviewed June 2004) of this television broadcast on Byrd’s life? The CD actually contains less music than the DVD, but less can be more. While the DVD illuminates many aspects of Byrd’s writing, the CD plunges the listener into Byrd’s compositional thinking. Watching edited footage on DVD inevitably affects what the listener hears first, be it words, a specific vocal line, or homophony overtaking polyphony. Released from images, subtitles and voiceovers, the Tallis Scholars’ performance – which revisits material

Our rating

4

Published: January 20, 2012 at 4:01 pm

COMPOSERS: Byrd
LABELS: Gimell
ALBUM TITLE: Byrd
WORKS: Mass for Four Voices; Tristitia et Anxietas; Ne Irascaris, Domine; Vigilate; Prevent us, O Lord; O Lord, make thy servant Elizabeth; Magnificat, from the Great Service; Ave Verum Corpus
PERFORMER: The Talis Scholars/Pter Phillips
CATALOGUE NO: GIMSA 592

Why prefer the CD to the DVD

(reviewed June 2004) of this

television broadcast on Byrd’s life?

The CD actually contains less music

than the DVD, but less can be

more. While the DVD illuminates

many aspects of Byrd’s writing, the

CD plunges the listener into Byrd’s

compositional thinking. Watching edited footage on DVD inevitably

affects what the listener hears first,

be it words, a specific vocal line, or

homophony overtaking polyphony.

Released from images, subtitles

and voiceovers, the Tallis Scholars’

performance – which revisits material

from throughout their recording

career – opens itself to many readings.

The CD thereby explores how the

richness of Byrd’s music allows every

listener to hear something different

more profoundly than does the DVD.

Peter Phillips draws out textinspired

musical gestures which the

DVD’s busy cuts between images can

mask, such as the explosive rhythms

on ‘repente’ (in Vigilate) or the

anguished hesitation of the opening

to Tristitia et Anxietas. Momentary

effects dovetail perfectly with the

controlled elegance of Phillips’

dynamics and tempo changes. The

singers’ facility for shaping phrases

and foregrounding different lines

leaps to attention on the CD, but on

DVD is again often overshadowed by

visuals. The DVD does alert listeners

to Tewkesbury Abbey’s crystalline

acoustic: CD listeners might confuse

this with expert sound engineering,

while in fact the recording is merely

faithful to the Abbey’s unique

separation of partials and afterglow

of resonance. Such intellectual

realisations aside, however, it is the

CD that reminds us most forcefully

of Byrd’s genius, and of the Tallis

Scholars’ talents as the foremost

interpreters of England’s foremost

composer. Berta Joncus

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