COMPOSERS: Dvorak
LABELS: Somm
ALBUM TITLE: Dvorak - Cypresses
WORKS: Cypresses (Versions for tenor & string quartet)
PERFORMER: Timothy Robinson
Graham Johnson
Delmé Quartet
CATALOGUE NO: SOMMCD 236
Dvo?ák’s first song cycle, Cypresses,
is perhaps the most richly rewarding
of his compositions that survive
from the 1860s, a decade when
hardly anyone in Prague was aware
of his composing activities. The
composer himself said that the cycle
was written by a young man in love
and each song, in intensity and
imagination, goes well beyond the
disappointingly sentimental verse
on which it is based. Every one of
the 18 songs has its rewards, but the
third and fifth are outstanding, the
latter assaying a melodic line that
looks forward to mature Janá?ek
underpinned by harmonies that
could be by Debussy in the 1890s.
Little wonder that Dvo?ák mined this
rich vein of melody for later scores,
such as the opera Vanda, and other
song cycles from his maturity.
When reviewing his early works
for possible publication, over 20
years later in 1887, Dvo?ák made an
arrangement of 12 of the songs for
string quartet, in the process of which
he ironed out certain infelicities in
the accompaniment though without
compromising the freshness of the
originals. The Delmé Quartet’s
recording is one of the most sweetly
intense and reflective available,
quite comparable to the Vlach
Quartet’s excellent performance
on Naxos. Timothy Robinson is
an eloquent advocate for the songs
and for the most part negotiates the
Czech creditably. Magnificently
accompanied by Graham Johnson,
and resonantly recorded, Robinson
brings genuine passion to each of the
songs, although I could have done
with rather more variety of tone.
Jan Smaczny
Dvorak: Cypresses (Versions for tenor & string quartet)
Dvo?ák’s first song cycle, Cypresses,
is perhaps the most richly rewarding
of his compositions that survive
from the 1860s, a decade when
hardly anyone in Prague was aware
of his composing activities. The
composer himself said that the cycle
was written by a young man in love
and each song, in intensity and
imagination, goes well beyond the
disappointingly sentimental verse
on which it is based. Every one of
the 18 songs has its rewards, but the
third and fifth are outstanding, the
Our rating
4
Published: January 20, 2012 at 3:54 pm