Handel: Le cantate per il Marchese Ruspoli, HWV 79, 105, 142, 171 & 173

This second disc of Handel’s Italian cantatas from Glossa focuses on works written for the Marquis of Ruspoli in 1705.

Published: January 20, 2012 at 4:06 pm

COMPOSERS: Handel
LABELS: Glossa
ALBUM TITLE: Handel
WORKS: Le cantate per il Marchese Ruspoli, HWV 79, 105, 142, 171 & 173
PERFORMER: Emanuela Galli, Roberta Invernizzi (soprano); La Risonaza/Fabio Bonizzoni (harpsichord)
CATALOGUE NO: GCD 921522

This second disc of Handel’s Italian cantatas from Glossa focuses on works written for the Marquis of Ruspoli in 1705. Karl Boehmer’s notes provide a vivid picture of Handel’s success in Italy, fêted at every turn, his music reflecting his dizzying popularity, full of daring and imagination: an aria in Un’alma innamorata opens with over a minute’s ritornello of constantly side-stepped cadences; Armida abbandonata rushes breathlessly after the fleeing Rinaldo in a whirlwind recitative; a splendidly strutting march introduces Diana cacciatrice, performed after a day’s stag-hunting.

Emanuela Galli is the soloist for all but one cantata, and provides a favourite musical device, an ‘echo’, for Roberta Invernizzi in the hunting cantata. Galli has a stylish approach, agile in fast movements, ornaments decorating rather than distorting Handel’s lines. She is, though, so bound up in the anguish of unrequited love, the common thread, that I longed for a moment of sustained line. Every note is a separate jewel, beautifully cut, but detached from those around it.

Most successful is the slower, reflective ‘Notte placida’ – ‘peaceful night… a melancholy veil to pain’ – and its following aria with violins whispering the ‘kind auras’ of Zephyrs. Here, as throughout, strings and continuo of La Risonanza give excellent support. George Pratt

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024