Rameau: La naissance d’Osiris (Suite); Les boréades (Suite &Dances)

Our rating 
3.0 out of 5 star rating 3.0

WORKS: La naissance d’Osiris (Suite); Les boréades (Suite &Dances)
PERFORMER: Capella Savaria/Mary Térey-Smith
CATALOGUE NO: 8.553388
Rameau’s second one-act opera, based on the writings of the Greek poet Anacreon, is one of the minor marvels of his old age. Even in his mid-seventies Rameau was a dramatist of consummate skill and a startlingly innovative orchestrator. Instrumental colour (at its most sensational in a marvellous storm sequence), wit and dramatic flexibility keep this tale of love and pleasure bounding along without a single longueur.


Minkowski and his orchestra accompany with poise and vigour; all the soloists have a strong feeling for the pace of the action and Annick Massis’s Cupid is a delight. Véronique Gens’s impassioned singing of the much earlier cantata Le berger fidèle completes a very attractive issue which is marred only slightly by Thierry Félix’s occasional rawness of tone as the ageing Anacréon.


Two suites of orchestral music taken from Rameau’s one-act opera La naissance d’Osiris and his final masterpiece, Les boréades, show the Hungarian Capella Savaria to be an old-instrument band of accomplishment. If their tempi err too frequently on the cautious side and the wind playing is a touch wayward at times, the players clearly relish bringing Rameau’s endless orchestral inventiveness to life. Jan Smaczny