Respighi: Sinfonia drammatica

Formerly held to consist of little more than three picture-postcardish symphonic poems on Roman sights and sounds – Fountains, Pines and Festivals – Respighi’s large and varied output is now being assiduously explored by record companies, with the result that its creator is emerging as a more complex figure than was hitherto suspected.

Our rating

4

Published: January 20, 2012 at 3:07 pm

COMPOSERS: Respighi
LABELS: Chandos
WORKS: Sinfonia drammatica
PERFORMER: BBC Philharmonic/Edward Downes
CATALOGUE NO: CHAN 9213 DDD

Formerly held to consist of little more than three picture-postcardish symphonic poems on Roman sights and sounds – Fountains, Pines and Festivals – Respighi’s large and varied output is now being assiduously explored by record companies, with the result that its creator is emerging as a more complex figure than was hitherto suspected.

Scored for vast orchestra and unequivocally declaring its musical allegiance to the Austro-German tradition, this ‘Dramatic Symphony’ (1913-14) represents its composer’s orchestral ambitions at their apogee. The shadows of Wagner, Strauss and Mahler loom large, and the amiably exotic figure of Rimsky-Korsakov (with whom Respighi studied) puts in the occasional appearance. Given the eclectic nature of Respighi’s musical character, such diversity of ancestor-worship is hardly surprising. What is surprising is the assurance with which he brings off his scheme: in spite of a preponderance of slow music and a tendency towards the grandiose, the work is genuinely imposing.

Such music demands and receives playing of a high calibre, with Downes indulging its late-Romantic pretensions to the full. The sound is on the enclosed side, but manages to capture most of the striking detail. George Hall

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024