Stravinsky - Apollon Musagète & Pulcinella Suite

It takes an exceptional release these days to get away with a length of as little as 54 minutes. But then the Chamber Orchestra of Europe is a rather special ensemble, retaining 18 of the pioneering young artists who originally set it up in 1981 complemented by front desk players from all over the European Union.

Our rating

4

Published: January 20, 2012 at 4:27 pm

COMPOSERS: Stravinsky
LABELS: Linn
WORKS: Apollon musagète; Pulcinella Suite
PERFORMER: Chamber Orchestra of Europe/ Alexander Janiczek
CATALOGUE NO: Linn CKD 330 (hybrid CD/SACD)

It takes an exceptional release these days to get away with a length of as little as 54 minutes. But then the Chamber Orchestra of Europe is a rather special ensemble, retaining 18 of the pioneering young artists who originally set it up in 1981 complemented by front desk players from all over the European Union.

The result is a wonderfully characterful wind section plus a string body of vibrant unanimity and warmth. These qualities are enhanced by the church acoustic in which these sessions took place, yet skilful microphone placement has ensured that not a detail is lost.

The COE’s leader Alexander Janiczek directs these readings from the first violin. In Stravinsky’s ballet blanc for string orchestra, Apollon musagète (1928), he steers a middle way between the suave smoothness of the Karajan approach and the edgy haste Stravinsky’s own later readings tended to take on.

Tempos are moderate, but there is no lack of spring to the rhythms while the opening of the ‘Pas de Deux’ is mesmerising in its translucent poise. The Suite from the Baroque make-over Pulcinella (1920) is an altogether livelier, gutsier affair as delivered here, with a terrific rhythmic snap to the finale.

What a pity not to record the entire ballet with this outstanding élan. The disc could have contained it. Bayan Northcott

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