Oehms reviews

Mascagni: Iris

Karine Babajanyan, David Oštrek et al; Berlin Opera Society Choir and Orchestra/Felix Krieger (Oehms)
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From the New World

Hansjörg Albrecht (organ) (Oehms)
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Messiaen: Turangalîla Symphony

Mannheim National Theatre Orchestra/Alexander Soddy, et al (Oehms)
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Khachaturian • Prokofiev - Orchestral Suites

Zagreb Philharmonic/Dmitrij Kitajenko (Oehms)
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Weinberg - Congratulations!

Katia Guedes, Anna Gutter, et al; Potsdam Chamber Academy/Vladimir Stoupel (Oehms)
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Rachmaninov • Taneyev: St John of Damascus; The Bells

Czech Philharmonic Choir Brno; Gurzenich Orchestra Cologne/Dmitri Kitayenko, et al (Oehms)
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Haydn: Cello Concertos

Natalie Clein (cello); Recreation-Grosses Orchester Graz/Michael Hofstetter (Oehms)
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Weber: Der Freischütz

Maximilian Schmitt, Jessica Muirhead, et al; Essen Philharmonic/Tomáš Netopil (Oehms)
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Liszt: A Faust Symphony (transcription for organ)

Hansjörg Albrecht (Oehms Classics)
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Reimann: L’Invisible

Rachel Harnisch, Annika Schlicht, Ronnita Miller, Stephen Bronk; Orchestra of the Deutsche Opera Berlin/Donald Runnicles (Oehms Classics)
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Meyerbeer: Le Prophète

John Osborn, Lynette Tapia, Albrecht Kludzuweit, Marianne Cornetti, Pierre Doyen, Tijl Faveyts, Karel Martin Ludvik; Aalto Theatre Opera Chorus; Essener Philharmoniker/Giuliano Carella (Oehms Classics)
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From Byrd to Byrd

Friederike Chylek (Oehms Classics)
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Glazunov: The Seasons; Tchaikovsky: Serenade for Strings

Zagreb Philharmonic/Dmitri Kitayenko (Oehms Classics)
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Fun Sun Kim conducts Lehár's Der Graf von Luxemburg

With a handful of exceptions, the operetta repertoire is eschewed by the bigger UK companies. This new recording of Lehár’s The Count of Luxembourg – which debuted in Vienna in 1909, but is heard here in the composer’s second version (1937) – derives from live performances at the Frankfurt Opera (2015-16). 

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Graz Opera performs Daallapiccola's Il Prigioniero der Gefangene

Il Prigioniero is Dallapiccola’s masterpiece – the work in which his musical language, his political engagement and his innate sense of theatre all came together in perfect harmony.

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Mozart's Piano Sonatas, Vol. 5 - an 'enthralling' performance by William Youn

An irresistible account of the Sonata in D, K284 opens this exceptionally engaging and warmly recorded Mozart recital. Korean pianist William Youn, performing on a modern instrument, brings a sparkling array of colours to the quasi-orchestral textures of the opening Allegro, brilliant flourishes in the treble balanced by a firm and sonorous foundation in the bass. The rest of the work is equally enthralling – a charming and elegant Rondeau en Polonaise followed by an extended Finale where Youn works hard to maximise contrast and character in each of the 12 variations.

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