13 bands who went huge... and then it wasn't fun anymore

13 bands who went huge... and then it wasn't fun anymore

They conquered the world — then fell apart. Thirteen rock bands who found fame and fortune - but lost the simple love of playing together

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In rock mythology, success is supposed to be the happy ending – the dream fulfilled, the champagne uncorked, the crowds roaring.

But for many great bands, that dream became a slow-motion disaster. The same chemistry that once sparked creativity turned toxic under the weight of fame, drugs, ego, and exhaustion. Recording studios became battlefields; tours felt like prison sentences. Some collapsed in a haze of decadence, others under the cold pressure of perfectionism.

From The Beatles’ weary breakup to Fleetwood Mac’s cocaine-fuelled soap opera, from Pink Floyd’s alienation to Guns N’ Roses’ implosion, these are stories of brilliance devoured by success. The music endures – shimmering, swaggering, heartbreaking – even as the bands that made it disintegrated. Here are 13 rock groups who scaled the mountain of fame, only to discover the air at the top was thin, bitter, and anything but fun.

1. The Beatles

Musicians John Lennon (left) and Paul McCartney of the Beatles hold a press conference in New York City to announce their new venture, Apple Corps, 14th May 1968
John Lennon and Paul McCartney announce their new venture, Apple Corps, 14 May 1968, New York. Between them is their publicist Derek Taylor - Don Paulsen/Michael Ochs Archives/Getty Images

What began as the world’s most joyous pop phenomenon gradually turned into a claustrophobic pressure cooker for The Beatles. By 1968, Beatlemania had curdled into exhaustion: relentless touring had ceased, but endless business wrangling, public scrutiny, and personal drift created a suffocating atmosphere. The Let It Be sessions exposed deep fractures – Paul McCartney’s perfectionism often clashing with George Harrison’s growing frustration and John Lennon’s apathy.

Abbey Road's bitterness and fatigue are palpable

Meanwhile, the chaotic launch of Apple Corps and bitter disputes over management, particularly involving Allen Klein, compounded tensions. Even as they recorded Abbey Road, their final collaborative effort, the music retained elegance and innovation, yet the underlying bitterness and fatigue are palpable. Four friends and collaborators, once inseparable, were forced to confront the end of an era, making their farewell album a bittersweet coda to a shared youth, artistic brilliance, and a period of global cultural upheaval.


2. The Rolling Stones

Charlie Watts and Mick Jagger take time out during the Rolling Stones Tour of the Americas, 1975
Charlie Watts and Mick Jagger take time out during the Rolling Stones Tour of the Americas, 1975 - Christopher Simon Sykes/Hulton Archive/Getty Images

The Rolling Stones’ rise from scrappy blues upstarts to the self-proclaimed “greatest rock ’n’ roll band in the world” was meteoric, but the exhilaration came with a heavy price. Constant touring, drug busts, and the pressures of sustaining a decadent, rebellious image gradually took their toll. The death of founding member Brian Jones in 1969 cast a long shadow, while the Altamont tragedy – where a fan was killed at a free concert – marked the dark side of their era of excess.

Altamont marked the dark side of the Stones' success

By the mid-1970s, rampant heroin use, internal friction, and financial mismanagement made the rock ’n’ roll dream feel increasingly nightmarish. Despite producing some of their most iconic music during this period, the band’s camaraderie was never quite the same, and surviving both personal demons and public scrutiny left them hardened, wary, and profoundly changed as a unit.


3. Guns N’ Roses

Axl Rose, Guns N' Roses, circa 1990
Axl Rose, Guns N' Roses, circa 1990 - Jim Steinfeldt/Michael Ochs Archives/Getty Images

Few bands captured the raw energy and rebellious spirit of rock quite like Guns N’ Roses in 1987 – and few imploded as spectacularly. The meteoric rise brought its own chaos: Axl Rose’s obsessive perfectionism and mercurial temperament frequently clashed with Slash and Duff McKagan’s drug-fueled recklessness, turning collaboration into a minefield.

The sprawling Use Your Illusion tour became emblematic of this volatility, with overlong shows, repeated delays, onstage walkouts, and occasional riots undermining even their most celebrated performances. Behind the scenes, lawsuits over management disputes, missed commitments, and contractual wrangles piled up, creating a legal quagmire.

By the mid-1990s, Axl found himself isolated, the original lineup fractured, and the band’s reputation as a rock powerhouse overshadowed by chaos. What had once been thrilling danger became destructive spectacle, illustrating how fame can devour the very qualities that made a band legendary.


4. Fleetwood Mac

Stevie Nicks and Lindsey Buckingham at a Fleetwood Mac press conference at the Hotel St Moritz, New York, November 9, 1979
Stevie Nicks and Lindsey Buckingham at a Fleetwood Mac press conference at the Hotel St Moritz, New York, November 9, 1979 - Ebet Roberts/Redferns via Getty Images

By the time Rumours hit in 1977, Fleetwood Mac had achieved global superstardom – but personal peace was elusive. Romantic entanglements abounded: Lindsey Buckingham and Stevie Nicks’s fraught affair, and John and Christine McVie’s crumbling marriage, fuelled by late-night cocaine binges, made the recording studio feel like a pressure cooker.

Crumbling marriages and cocaine binges turned the recording studio into a pressure cooker

Yet out of this turmoil came unforgettable songs of heartbreak, often sung directly between the people who inspired them – 'Go Your Own Way' and 'Don’t Stop' exemplify this painful intimacy. By the time Tusk arrived in 1979, camaraderie had curdled into competition, with band members jockeying for attention, pushing individual visions over collective cohesion, and sometimes undermining each other in subtle studio battles. The resulting tension shaped the music, but also made life in Fleetwood Mac a constant negotiation between brilliance, jealousy, and emotional fragility.


5. The Doors

Singer Jim Morrison of The Doors mugshot on September 20, 1970 in Dade County, Florida
Jim Morrison's mugshot on September 20, 1970 in Dade County, Florida. Morrison was accused of indecent exposure and profanity at a Miami concert the previous year - Bureau of Prisons/Getty Images

The Doors’ hypnotic chemistry was inseparable from Jim Morrison’s volatility – and it ultimately unraveled the band. Morrison’s poetic brilliance was matched by self-destructive excess: heavy drinking, drug use, and unpredictable behaviour became routine. Live shows often descended into chaos, from missed cues to onstage provocations, culminating in his infamous Miami arrest for alleged indecent exposure.

Arrests and legal pressures piled up, straining the band’s focus and finances. Meanwhile, internal tensions mounted as Robby Krieger, Ray Manzarek, and John Densmore struggled to rein in the frontman’s impulses. L.A. Woman offered a creative resurgence, but Morrison soon fled to Paris, where he died at 27. The Doors’ story reads like a Greek tragedy: extraordinary talent burning too brightly and too fast, leaving a legacy of transcendent music shadowed by turmoil, legal battles, and a sense of potential forever unfulfilled.


6. Pink Floyd

Pink Floyd, L to R: Roger Waters, David Gilmour, Rick Wright, Nick Mason, onstage at The Wall concert, Earls Court, London, 16 June 1981
Pink Floyd, L to R: Roger Waters, David Gilmour, Rick Wright, Nick Mason, onstage at The Wall concert, Earls Court, London, 16 June 1981 - Pete Still/Redferns via Getty Images

By the late 1970s, Pink Floyd’s journey from psychedelic experimentation to global superstardom came with a heavy emotional toll. Roger Waters’ increasing dominance over songwriting and direction, combined with the isolating pressures of fame, created a joyless, tense atmosphere. The band’s camaraderie eroded as creative decisions became unilateral, turning collaboration into negotiation.

Recording The Wall nearly destroyed the band

The Wall crystallised this alienation: its sprawling narrative of isolation, fame, and psychological walls mirrored Waters’ own emotional distance. Recording it nearly destroyed the band; David Gilmour bristled at Waters’ control, Rick Wright was effectively pushed out, and Nick Mason struggled to maintain his role.

The democratic spirit that had once defined Floyd dissolved under the weight of ambition and paranoia. By the time the wall 'fell', the band’s friendships were fractured, leaving a musical masterpiece born of genius, conflict, and the cost of towering ambition.


7. The Who

Roger Daltrey (left) and Pete Townshend of The Who, walk backstage at Madison Square Garden, New York, March 3, 1976
Roger Daltrey (left) and Pete Townshend walk backstage at Madison Square Garden, New York, March 3, 1976 - Allan Tannenbaum/Getty Images

The Who’s explosive energy – all windmilling guitars, smashed instruments, and onstage fury – hid growing fractures beneath the surface. Pete Townshend’s ambitions to elevate rock into a serious art form with sprawling concept works like Tommy and Quadrophenia often clashed with the band’s primal power. Roger Daltrey pushed for visceral immediacy, while John Entwistle and Keith Moon thrived on chaos, not introspection. Moon’s increasingly erratic behavior, fueled by alcohol, pills, and sheer exhaustion, made touring a gamble – he might play brilliantly one night, collapse the next.

By the mid-1970s, Townshend had grown weary of fame’s machinery. He saw the music industry as corrupt and hollow, haunted by the sense that rock’s youthful idealism had curdled into routine spectacle. Moon’s tragic death in 1978 from an overdose of prescription sedatives ended not just an era but a sense of purpose. The Who kept going, but the joy – and danger – that once defined them was gone.


8. Van Halen

Van Halen by the pool, Hollywood, Los Angeles, April 1979. L-R Michael Anthony, David Lee Roth, Alex Van Halen, and Eddie Van Halen
Van Halen by the pool, Hollywood, Los Angeles, April 1979. L-R Michael Anthony, David Lee Roth, Alex Van Halen, and Eddie Van Halen - Getty Images

Van Halen once defined the sound of unfiltered, hedonistic joy – that mix of California sunshine, pyrotechnic guitar wizardry, and grinning excess. David Lee Roth’s strutting charisma turned every gig into a circus, while Eddie Van Halen’s jaw-dropping guitar work rewrote rock technique. Onstage, they looked unstoppable; offstage, they could barely stand each other. Roth mocked Eddie’s seriousness and classical leanings, while Eddie bristled at Roth’s ego and endless need for attention.

Eddie built his own home studio to escape Roth’s interference

Tensions came to a head during the recording of 1984, when creative control battles spilled into open warfare – Eddie built his own home studio to escape Roth’s interference. After the album’s massive success, Roth quit (or was fired, depending on who’s telling it). The Sammy Hagar years brought chart-topping albums but less danger, and by the late 1990s, revolving singers and bitter feuds made Van Halen feel more corporate than chaotic. The fun-loving kings of excess had partied themselves into burnout.


9. Kiss

Rock band KISS (l-R Paul Stanley,Eric Carr, Gene Simmons) on their Unmasked Tour, July 25, 1980, The Palladium, New York
Rock band KISS (l-R Paul Stanley, Eric Carr, Gene Simmons) on their Unmasked Tour, July 25, 1980, The Palladium, New York - Robin Platzer/IMAGES/Getty Images

Kiss’s ascent was pure theatre – four masked characters breathing fire, spitting blood, and turning arena rock into a comic-book spectacle. Their mix of hard riffs and cartoonish showmanship made them global icons, and the merchandising machine soon rivalled the music itself. But by the late ’70s, the fantasy was collapsing under its own weight.

Each member released a solo album in 1978, a sign of egos pulling in different directions, and the massive Dynasty and Unmasked tours became bloated affairs – overloaded with props, costumes, and personnel, but lacking the raw hunger of their early days.

Ace Frehley spiraled into alcohol and drug abuse, increasingly alienated from the band’s commercial focus, while Peter Criss’ erratic behavior and unreliability onstage made him a liability. Both were gone by the early ’80s, leaving Gene Simmons and Paul Stanley to steer Kiss as more of a brand than a band. The spectacle endured, but the soul got lost in the smoke.


10. Black Sabbath

Black Sabbath musicians Tony Iommi and Ozzy Osbourne, Wye Valley, UK, 10 August, 1977
Black Sabbath's Tony Iommi and Ozzy Osbourne, Wye Valley, UK, 10 August, 1977 - Birmingham Post and Mail Archive/Mirrorpix/Mirrorpix via Getty Images

Black Sabbath turned heaviness into a religion – but the toll was immense. In the early ’70s, their relentless touring schedule had them playing hundreds of shows a year, often with no rest between continents. The constant grind left them physically and mentally wrecked, fueling a reliance on alcohol and cocaine just to keep going. Recording sessions descended into fogs of excess: riffs hammered out at 4am, songs forgotten by morning.

Riffs were hammered out at 4am... and forgotten by morning

Ozzy Osbourne, once the charismatic frontman holding it all together, became increasingly erratic. His substance abuse spiraled out of control, and by 1979, his bandmates – themselves deep in addiction – made the agonizing decision to fire him. Without Ozzy’s manic energy and Tony Iommi’s grim precision perfectly balanced, something essential cracked. Later lineups produced solid music, but the original alchemy was gone. What began as cathartic darkness turned inward, consuming the unity that had once made Sabbath unstoppable.


11. The Police

The band The Police (left to right: Andy Summers, Sting, and Stewart Copeland) stand in a white-tiled bathroom, 1982
The Police (left to right: Andy Summers, Sting, and Stewart Copeland), 1982

The Police rose faster than almost any band of their era – three gifted musicians who fused punk’s urgency with reggae’s rhythm and pop’s polish. But by Synchronicity (1983), that brilliance had curdled into tension. Sting’s increasingly assertive songwriting – sleek, cerebral, and often solo-driven – left Andy Summers and Stewart Copeland sidelined. Sting would arrive with nearly finished demos, dictating arrangements, while Copeland’s and Summers’ contributions were minimized or dismissed.

They had to do their takes separately to prevent fights

Recording sessions at Montserrat’s AIR Studios became infamously volatile. Sting and Copeland clashed so fiercely that producer Hugh Padgham reportedly had to separate their drum and vocal takes to prevent fights. The band communicated through engineers more than words. On tour, the dynamic was no better – arguments flared backstage and even on stage. By their final concerts in 1984, they were barely speaking. They quit before collapse, leaving behind luminous perfection built on unbearable friction – music’s most elegant implosion.


12. Cream

Cream, rock band, 1967. L-R Eric Clapton, Ginger Baker, Jack Bruce
Cream, 1967. L-R Eric Clapton, Ginger Baker, Jack Bruce - Chris Walter/WireImage via Getty Images

Cream’s brief but brilliant existence was defined as much by conflict as by virtuosity. Eric Clapton pursued blues-drenched guitar mastery, favouring extended solos and emotional nuance. Jack Bruce, the band’s bassist and singer, leaned toward complex jazz-inflected harmonies and ambitious compositional structures. Ginger Baker, meanwhile, drove rhythmically explosive, polyrhythmic drums, often pushing volume and intensity to extremes.

Ginger Baker and Jack Bruce nearly came to blows

From the start, these strong personalities collided. During live shows, extended jams sometimes became battles for dominance – Clapton vs. Baker in particular over rhythmic space, Bruce often mediating or asserting his own harmonic vision. Offstage, tempers flared over setlists, solos, and songwriting credits. One infamous incident had Baker and Bruce nearly coming to blows during rehearsals. Tours were punishing physically and emotionally. By 1968, the trio agreed to part ways. Cream’s genius lay in this combustible combination: virtuosity magnified by rivalry, brilliance burned hot and fast, impossible to sustain.


13. The Sex Pistols

Sex Pistols on their US tour, 1978. L-R Johnny Rotten (John Lydon), Sid Vicious, Steve Jones and Paul Cook
Sex Pistols looking a bit tired of it all on their US tour, 1978. L-R Johnny Rotten (John Lydon), Sid Vicious, Steve Jones and Paul Cook - Richard E. Aaron/Redferns via Getty Images

For a band that lasted barely two years, the Sex Pistols’ implosion is legendary. From the start, Malcolm McLaren manipulated the band’s chaos into publicity, pitting Johnny Rotten, Steve Jones, Paul Cook, and Sid Vicious against each other to heighten drama. Infighting and clashing egos were constant, exacerbated by drug use – especially Vicious’ descent into heroin.

Their 1978 U.S. tour was a spectacle of missed flights, hostile audiences, and onstage antics, with fights spilling into hotel rooms and media reports. Sid’s eventual arrest and tragic death marked the definitive end. What began as youthful rebellion became a real-life horror show, a cautionary tale of how punk’s anarchic ideals could consume the very people who embodied them. The Pistols’ story is shorthand for rock’s self-destructive potential – iconic, infamous, and unforgettable.

Sid Vicious and Johnny Rotten onstage at the Longhorn Ballroom, Dallas, Texas, January 10, 1978
Sid Vicious and Johnny Rotten onstage at the Longhorn Ballroom, Dallas, Texas, January 10, 1978. Definitely something blank in Rotten's gaze... - Jay Dickman/CORBIS/Corbis via Getty Images

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