Geoffrey Smith

Journalist and Jazz Critic, BBC Music Magazine

Born in Michigan, USA in 1943, Geoffrey Smith grew up with the diverse sounds of Schubert, jazz and Gilbert & Sullivan. He later trained to become a musician, concentrating on percussion and playing in jazz groups of every style from Dixieland to avant-garde, before the rise of rock discouraged him in 1969. Today he is based in the UK and is a freelance writer and lecturer, contributing articles and reviews to a variety of publications, including BBC Music Magazine, Country Life, New Society and The Spectator. He was also previously the presenter of Jazz Record Requests and Geoffrey Smith's Jazz on BBC Radio 3.

Recent articles by Geoffrey Smith

Six of the Best Jazz Film Cameos

Whether it’s breaking the tension of a thriller or adding sparkle to a musical, jazz musicians have a history of making scene-stealing cameos on the silver screen. Neil McKim explores six of the greatest
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15 best jazz trumpet players ever

Who are the greatest trumpeters of all time? We name some of the best here (in alphabetical order)
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4 of the best jazz guitarists ever

Geoffrey Smith explores the lives and works of four of the best jazz guitarists of all time
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Best jazz singers ever: our top 15

Who are the greatest jazz singers of all time? We name some of the best here (in alphabetical order)
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Who is Ella Fitzgerald?

As the ‘First Lady’ of jazz, Ella Fitzgerald had an unrivalled mastery of improvisation, says Geoffrey Smith
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The best recordings of Gershwin's Rhapsody in Blue

What are the finest performances of Gershwin's riotous Rhapsody in Blue? See below for our definitive recommendations…
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A Tribute to Oscar Peterson

Among classical pianists, jazz has become not just a source of fascination, but repertoire. Twenty years ago, Steven Mayer recorded an album of Art Tatum transcriptions, and Jean-Yves Thibaudet paid similar homage to Bill Evans, while the ever-individual Joanna MacGregor has channelled performances by Erroll Garner and Thelonious Monk.

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Ellington: Black, Brown and Beige

 

Asked if his concert works were really ‘jazz’, Duke Ellington retorted, ‘I don’t see how this thing called jazz takes precedence over me.’ For him, music was either good or bad: the suites and tone poems of his later years were simply an extension of his art, and this new set of Ellington compositions by JoAnn Falletta and the Buffalo Philharmonic shows the ducal legacy right at home in the concert hall.

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Chick Corea: The Continents: Concerto for Jazz Quintet & Chamber Orchestra; What's This?; Solo Continuum; etc

Mozart has form with jazz musicians: Keith Jarrett, George Shearing and Chick Corea have all performed his Piano Concertos. In 2006, Corea was commissioned to write ‘a concerto in the spirit of Mozart’ by Wiener Mozartjahr (Mozart Year Vienna), to commemorate the composer’s 250th birthday. Corea responded with The Continents, a kind of swinging concerto grosso written for piano, quintet and chamber orchestra.

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Jazz: The Smithsonian Anthology

As Rousseau might have said, jazz was born free but is everywhere in institutions. Roughly a century after surfacing in funky New Orleans dance halls, this pungently personal music has been comprehensively analysed and codified, embraced by conservatoires.
 
The mixed blessing of respectability is palpable in Jazz: The Smithsonian Anthology. Over six CDs, 111 tracks and 200 pages of earnest annotation, Washington’s august establishment aims to summarise the music’s evolution, from ragtime to the 21st century.
 
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