Subtitled ‘Songs of a Homeostatic Homer’, Floof is scored for soprano plus amplified clarinet/contrabass clarinet, cello, piano, synthesizer and percussion. Salonen describes the piece, which stretches the singer to the limit, as ‘the ultimate product of the electro-troubadour, set to dodecaphonic rap music.’
Anu Komsi (soprano), Avanti! Chamber Orchestra/Esa-Pekka Salonen
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LA Variations (1996)
Again, Salonen makes huge demands of his musicians, in this instance the players of the LA Philharmonic, for whom this 20-minute piece was written. Aside from the instrumental acrobatics, there are gorgeous passages of big-scale orchestral scene-painting.
Los Angeles Philharmonic/Esa-Pekka Salonen
Wing on Wing (2004)
Another LA Phil commission, Wing on Wing is inspired by the architecture of the Frank Gehry-designed Walt Disney Concert Hall. Scored for two sopranos and orchestra, it moves from eerie stillness to a crashing climax… and back.
Any Komsi (soprano), Piia Komsi (soprano), Finnish Radio Symphony Orchestra/Esa-Pekka Salonen
Violin Concerto (2009)
Written for violinist Leila Josefowicz, who gave the world premiere in LA in Salonen’s last season with the orchestra. The wistful mood and title of the final movement – ‘Adieu’ – is, says Salonen, no coincidence.
Leila Josefowicz (violin), Finnish Radio Symphony Orchestra/Esa-Pekka Salonen
A large-scale choral and orchestral work that sets a poem of the same name by Hugo Ball, founder of the Dada movement. There are, unsurprisingly, moments of wacky humour, but much of it is also intensely powerful.