Bach: Ich bin vergnügt mit meinem Glücke, BWV 84; Non sa che sia dolore, BWV 209; Weichet nur, betrübte Schatten, BWV 202

This is the second CD of Bach cantatas that Nancy Argenta has recorded with Ensemble Sonnerie. Like its predecessor (also on Veritas), the disc is an eloquent reminder that the cantatas include not only the magnificent choral pieces for which they are best known but also some exquisite works for solo voices.

Our rating

5

Published: January 20, 2012 at 3:12 pm

COMPOSERS: Bach
LABELS: Virgin Veritas
WORKS: Ich bin vergnügt mit meinem Glücke, BWV 84; Non sa che sia dolore, BWV 209; Weichet nur, betrübte Schatten, BWV 202
PERFORMER: Nancy Argenta (soprano); Ensemble Sonnerie/Monica Huggett
CATALOGUE NO: VC 5 45059 2 DDD

This is the second CD of Bach cantatas that Nancy Argenta has recorded with Ensemble Sonnerie. Like its predecessor (also on Veritas), the disc is an eloquent reminder that the cantatas include not only the magnificent choral pieces for which they are best known but also some exquisite works for solo voices.

BWV 202, the popular ‘Wedding Cantata’, is a sparkling success here, Argenta and Paul Goodwin’s obbligato oboe conjoined in delightful rapport as Monica Huggett proffers tender violin sighs. BWV 84, with its moving declarations of spiritual joy, and the captivating ‘Italian Cantata’, BWV 209, are equally winning, the performances as fluent and sensitive as they are technically impeccable. Argenta’s singing, coolly focused yet beautifully expressive, underlines her growing reputation as one of today’s pre-eminent soprano voices.

Jochen Kowalski’s disc comprises solo cantatas for alto and adds a thematic link in their texts’ eagerness to embrace mortality. The famous BWV 82, Ich habe genug, is better known in the version for bass, and the briskish tempi taken here further attenuate what some may consider a requisite sense of gravitas. Still, Kowalski sings throughout with thrilling conviction, and the ASMF maintains polished support. (NB: BWV 53, despite its attractions, is generally considered not to be Bach’s.) Graham Lock

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