Caroline Shaw: Let the Soil Play its Simple Part
Caroline Shaw (vocals); Sō Percussion (Nonesuch)
Published:
Caroline Shaw
Let the Soil Play its Simple Part
Caroline Shaw (vocals); Sō Percussion
Nonesuch 7559 7915969 41:30 mins
Caroline Shaw seems to sprinkle a special kind of magic across every project she embarks on. This latest venture with Sō Percussion is every bit as vivid and colourful as the acclaimed Narrow Sea released earlier this year. While Let the Soil Play its Simple Part is in one sense a ‘solo album’ (Shaw’s radiant vocals are heard throughout), it is also an experiment in deep collaboration: ‘The prompt for all of us was: What would we make in the room together with no one person in charge, like a band writes in the studio?’ The result is a glorious, genre-defying disc by turns poignant, celebratory, complex and direct.
The disc draws on a deliciously eclectic range of sounds, including marimba, steel drum, looped vocals, electronics and (seemingly) cascades of small glass bottles, while the texts range from an Anne Carson poem to the Bible’s Book of Ruth to Shaw’s own luminous words. The disc deftly shifts between rhythmic punch and delicate introspection: ‘To the Sky’ finds the voice enfolded in intricate polyrhythms, while ‘Lay All Your Love On Me’ reimagines ABBA’s classic as a sparse, melancholic Bach chorale. Beautifully performed and expertly produced, this is music-making at its most vital, expressive and imaginative.
Kate Wakeling
Authors
Kate Wakeling is a writer, musicologist, poet and BBC Music Magazine critic, predominantly focusing on contemporary music. She studied music at Cambridge University and holds a PhD in Balinese gamelan music from the School of Oriental and African Studies in London. She writes regularly for the Times Literary Supplement and is a writer-in-residence with the Aurora Orchestra.