Karg-Elert: Piano Sonata No. 1 in F sharp minor; Piano Sonata No. 3 in C sharp minor (Patetica)

Karg-Elert is best known for his organ music, his most familiar piece being the chorale improvisation on Nun danket alle Gott – a frequent end-of-service voluntary. His piano sonatas (the second of which is missing, the manuscript lost) are virtuoso works in the post-Romantic mould, sensual and philosophic in the manner of Scriabin, and even influenced by Debussian harmony. The mammoth single-movement Third Sonata may seem rambling and discursive, but it develops organically, its form more closely-knit than is at first apparent.

Our rating

4

Published: January 20, 2012 at 3:07 pm

COMPOSERS: Karg-Elert
LABELS: CPO
WORKS: Piano Sonata No. 1 in F sharp minor; Piano Sonata No. 3 in C sharp minor (Patetica)
PERFORMER: Michael Zieschang (piano)
CATALOGUE NO: 999 092-2

Karg-Elert is best known for his organ music, his most familiar piece being the chorale improvisation on Nun danket alle Gott – a frequent end-of-service voluntary. His piano sonatas (the second of which is missing, the manuscript lost) are virtuoso works in the post-Romantic mould, sensual and philosophic in the manner of Scriabin, and even influenced by Debussian harmony. The mammoth single-movement Third Sonata may seem rambling and discursive, but it develops organically, its form more closely-knit than is at first apparent. There’s some catchy, semi-salon music in the finale of Sonata No. 1.

This disc is well worth playing – and more than once. With Zieschang as its advocate the music is in the safest possible pair of hands. Wadham Sutton

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024