COMPOSERS: Chopin,Liszt,Scriabin
LABELS: RCA Red Seal
ALBUM TITLE: Jean-Marc Luisada
WORKS: Piano Sonatas
PERFORMER: Jean-Marc Luisada
CATALOGUE NO: 82876 64561 2
These are unabashedly full-blooded
readings of this ultra-Romantic
repertoire, but on the whole
admirable ones. However strongly
Jean-Marc Luisada piles on the
flamboyant rhetoric, one never feels
he is carried away by his own heroic
eloquence: he’s always intellectually,
as well as technically, firmly in
control. In the Liszt B minor Sonata
he has gone back to the manuscript to correct a few details. I have lost
count of the number of Liszt Sonatas
I’ve heard in recent years that have
been high on virtuosic bluster but
essentially empty: Luisada grips
the attention from first to last bar,
the fugue a controlled torrent, the
ebbing-away of life and energy in
the final pages beautifully judged.
Among current rivals, I feel, only
Mikhail Pletnev’s magisterial
interpretation is clearly superior to
this excellent performance.
The Chopin B minor is even more
persuasive, invested throughout with
intense feeling but respecting at every
point the majesty and sturdiness of
the underlying architecture. The
fluidity and flexibility with which
Luisada phrases the melodic lines
in the first movement convey a
sense of utter spontaneity yet never
lose contact with the rhythmic
pulse. It’s a reading to be compared
with Rubinstein’s classic account,
though in the final analysis I think
Rubinstein still bears the palm
for his responsiveness to the sheer poetry of Chopin’s thought. And
the Scriabin is as haunted and darkly
visionary as one has ever heard
it – save perhaps in Horowitz’s
legendary 1956 version. Thus in
no single work do I feel Luisada
quite creates a new benchmark,
and yet overall the quality of his
pianism and his total emotional and intellectual commitment add
up to a very impressive disc indeed
– beautifully recorded, too. Calum Macdonald
Chopin, Liszt, Scriabin
These are unabashedly full-blooded
readings of this ultra-Romantic
repertoire, but on the whole
admirable ones. However strongly
Jean-Marc Luisada piles on the
flamboyant rhetoric, one never feels
he is carried away by his own heroic
eloquence: he’s always intellectually,
as well as technically, firmly in
control. In the Liszt B minor Sonata
he has gone back to the manuscript to correct a few details. I have lost
count of the number of Liszt Sonatas
I’ve heard in recent years that have
Our rating
5
Published: January 20, 2012 at 3:54 pm