‘With just one voice to a part, polyphonic lines are sharply etched and perfectly weighted throughout; rhythms are buoyant and full of momentum. Words cut easily through the texture, throwing into high relief the contrasts and colourful word painting that characterise Lassus’s style.’ Kate Bolton
Confitemini Domino; Missa super Dixit Joseph; In me transierunt irae tuae; Deus, qui sedes super thronum; Deus, canticum novum; Veni dilecte mi; Fallax gratia, etc
Bernd Oliver Fröhlich (tenor); Cinquecento
Hyperion CDA 68064
Read the rest of this review in the September Issue of BBC Music Magazine.
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