All products were chosen independently by our editorial team. This review contains affiliate links and we may receive a commission for purchases made. Please read our affiliates FAQ page to find out more.

Telemann: Pastorelle en musique

Lydia Teuscher, Florian Götz, Alois Mühlbacher; Vocalconsort Berlin; Ensemble 1700/Dorothee Oberlinger (DHM)

Our rating

4

Published: August 11, 2022 at 3:34 pm

Telemann Pastorelle en musique Lydia Teuscher, Florian Götz, Alois Mühlbacher; Vocalconsort Berlin; Ensemble 1700/Dorothee Oberlinger DHM 19658701132 110:11 mins (2 discs)

Telemann’s Pastorelle en Musique was discovered in 2001 by Kirill Karabits. It formed part of the archive of the Berlin Sing-Akademie which had disappeared in 1945, but which turned up in Kyiv in 1999. This is the second live performance on disc, the earlier one being conducted by Karabits himself in 2004. Inspired by Molière’s Les Amants magnifiques, the dimension and generous scoring of this delightful Arcadian frolic, probably dating from Telemann’s Frankfurt period prior to his move to Hamburg in 1721, suggests it was intended for an important event – a society wedding, perhaps.

A well-sung quintet of shepherds and shepherdesses is accompanied by an impressive instrumental arsenal of oboes, recorders, bassoon, horns, trumpets, timpani, strings and lute. As well as revealing Telemann’s fluent blend of styles from France, Italy and Germanic countries, Pastorelle adopts a north/mid-German trait in its varied use of German and French in the arias and choruses. Enchantments include Amynta’s ‘Lässt uns Liebesrosen brechen’ and ‘Vergnüge dich’; Caliste’s ‘Dir ahnet was’ with its alluring oboe solo; and the drowsy choral siciliano ‘Dormez beaux yeux’. Dorothee Oberlinger directs with expressive warmth and stylistic assurance.

Nicholas Anderson

More reviews

Mahan Esfahani celebrates the quirky flamboyance of Bach’s toccatas

Fauré fully illuminated: a glorious new recording of orchestral works

A glorious tribute to a jazz life well lived

A concept album with personal insight into pre-war Jewish life

Elizabeth Kenny deftly interweaves old and new theorbo works

The production and cast that Barber’s Vanessa has been waiting for

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024