Heath: The Sapphire; Sirocco; The Celtic; Home from the Storm; Requiem; The Beloved; Lochalsh

Heath: The Sapphire; Sirocco; The Celtic; Home from the Storm; Requiem; The Beloved; Lochalsh

Dave Heath really is the best kind of iconoclast in that he never fails, in compositional terms, to put his money where his mouth is. For an example of his views, visit his website (www.daveheath.co.uk) for his heartfelt diatribe against the heritage of the 12-note system. So are his alternatives plausible? In the main, yes and he is very well-equipped to follow his ideas through (so, incidentally, was Cardew, but it didn’t work out).

Our rating

4

Exclusive US Offer - try a BBC Music Magazine subscription and get your first 3 issues for only $12.99 PLUS delivery from the UK!
Published: January 20, 2012 at 3:21 pm

COMPOSERS: Heath
LABELS: Black Box
WORKS: The Sapphire; Sirocco; The Celtic; Home from the Storm; Requiem; The Beloved; Lochalsh
PERFORMER: Ittai Shapira (violin), Rusen Gunes, John Anderson, David Thomas (oboe), William Bennett (flute), Angela Tunstall (soprano), Jonathan Rendell (treble), Simon Nieminski (organ); English CO/David Heath, St Mary’s Cathedral Choir, Edinburgh/Matthew Owens
CATALOGUE NO: BBM 1083

Dave Heath really is the best kind of iconoclast in that he never fails, in compositional terms, to put his money where his mouth is. For an example of his views, visit his website (www.daveheath.co.uk) for his heartfelt diatribe against the heritage of the 12-note system. So are his alternatives plausible? In the main, yes and he is very well-equipped to follow his ideas through (so, incidentally, was Cardew, but it didn’t work out). On this CD, for instance, he takes a Celtic melody and cranks it up so that its structure takes on an entirely new life, its elements spinning like the mechanism of a supernatural clock; he deploys orchestral strings in apparently simple figures which strike a fine balance between continuation, development and resolution, and, almost in passing, writes with uncanny lucidity for his soloists, who, along with the ECO under the composer, offer heartfelt and vigorous performances in return.





A very worthy successor, then, to his Evelyn Glennie collaboration African Sunrise/Manhattan Rave (reviewed January 2001), and a further triumph for Black Box, which has an enviable handle on the musical spirit of the times. Roger Thomas

Sidebar Image

Exclusive U.S. Offer

Try a BBC Music Magazine subscription and get free delivery from the UK!

Subscribe Now!
Receive our weekly newsletter, packed with features, news and reviews
By entering your details, you are agreeing to Classical Music terms and conditions. You can unsubscribe at any time.

Exclusive U.S. Offer

Try a BBC Music Magazine subscription and get free delivery from the UK!

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2025