Paganini: Violin Concerto No. 1 in D; Violin Concerto No. 2 in B minor

Paganini’s genius was as much for crowd-pleasing as for technical expertise, although it is doubtful whether he would have made any distinction between the two; he wrote his 24 Caprices, which changed our perception of the violin’s possibilities, primarily to show in concert that only he could play anything so difficult. But he was a creature of fashion as well as innovation, and the passages of showy virtuosity in these concertos are framed in an accessible bel canto idiom.

Our rating

4

Published: January 20, 2012 at 3:08 pm

COMPOSERS: Paganini
LABELS: Chandos
WORKS: Violin Concerto No. 1 in D; Violin Concerto No. 2 in B minor
PERFORMER: Ilya Grubert (violin); Moscow CO/Constantine Orbelian
CATALOGUE NO: CHAN 9492

Paganini’s genius was as much for crowd-pleasing as for technical expertise, although it is doubtful whether he would have made any distinction between the two; he wrote his 24 Caprices, which changed our perception of the violin’s possibilities, primarily to show in concert that only he could play anything so difficult. But he was a creature of fashion as well as innovation, and the passages of showy virtuosity in these concertos are framed in an accessible bel canto idiom. Indeed, the orchestral introduction to the First Concerto sounds as if it were lifted straight from a Rossini or Donizetti overture. As this sympathetic recording shows, these pieces – when treated with an appropriately light touch – are enjoyable and entertaining, even though the violin’s high tessitura can become tiresome. Ilya Grubert understands Paganini’s flashy wit, and plays with ebullience, sometimes at the expense of a truly bel canto tone, although he gives a sensitive account of the Adagio of the darker second concerto. The Moscow Chamber Orchestra, under Constantine Orbelian, is nicely unobtrusive in what are above all showpieces for the soloist, but the most consistently assured recording of the first concerto is probably still Perlman’s for EMI. William Humphreys-Jones

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