Santo

‘Sooner or later a tenor has to record a sacred CD’, says Juan Diego Flórez in the notes with this release, and duly obliges with a superior example of the genre. Firstly, the programme is not too hackneyed, with attractive rarities by Bellini and Flórez’s trademark Rossini snuggling up against the semi-canonical Ave Maria (Schubert) and Panis Angelicus (Franck).

Our rating

5

Published: January 20, 2012 at 4:35 pm

COMPOSERS: Adam,Bellini,Flórez,Franck,Fux,Handel,Haydn,Ramírez,Rossini,Schubert & Wade
LABELS: Decca
WORKS: Sacred Songs by Adam, Bellini, Franck, Flórez, Fux, Handel, Haydn, Ramírez, Rossini, Schubert & Wade
PERFORMER: Juan Diego Flórez; Bologna Teatro Comunale Orchestra & Chorus/ Michele Mariotti
CATALOGUE NO: 478 2254

‘Sooner or later a tenor has to record a sacred CD’, says Juan Diego Flórez in the notes with this release, and duly obliges with a superior example of the genre. Firstly, the programme is not too hackneyed, with attractive rarities by Bellini and Flórez’s trademark Rossini snuggling up against the semi-canonical Ave Maria (Schubert) and Panis Angelicus (Franck).

A sidestep into Baroque repertoire – Fux’s vibrant Alleluia (in which Flórez competes with a trumpet obbligato; it’s a draw), and ‘Comfort Ye’ from Messiah, in good English, testify to another vocal realm he could conquer, if he chose. Haydn’s Creation is also sampled to provide a further fine match.

His own Latin American origins are noted in an atmospheric extract from the populist Misa Criolla by Ariel Ramírez and especially in his self-composed title-track, which if no great shakes musically is no embarrassment, either. But everything he does here Flórez does extremely well, and the sound quality helps him shine. George Hall

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024