Ilona Domnich reviews

One of my music teachers loftily pronounced that the Sinfonia Antarticawas not a real symphony, but merely film music. He would surely have been silenced by what conductor Martin Yates has uncovered here – essentially a huge forgotten work on, as the notes put it, ‘a quasi-symphonic canvas’, which Vaughan Williams composed in full before even a frame of the film itself was shot – apparently in a fervent three weeks.