John Eliot Gardiner reviews

Handel: Semele (Gardiner)

Louise Alder (soprano), et al; English Baroque Soloists/John Eliot Gardiner (SDG)
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Berlioz: Benvenuto Cellini

Michael Spyres, Sophia Burgos, et al; Monteverdi Choir/John Eliot Gardiner (Chateau de Versailles/DVD)
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Schumann: Symphonies Nos. 1 & 3 and Manfred Overture

London Symphony Orchestra/John Eliot Gardiner (LSO Live)
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Monteverdi: Il ritorno d’Ulisse in patria

Furio Zanasi, Lucile Richardot, Krystian Adam, Hana Blažíková; Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner (Soli Deo Gloria)
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Schubert: Symphony No. 5; Brahms: Serenade No. 2

Orchestre Révolutionnaire et Romantique/John Eliot Gardiner (Soli Deo Gloria)
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JS Bach: Violin Concertos Nos 1 & 2, etc

Kati Debretzeni (violin); English Baroque Soloists/John Eliot Gardiner (SDG)
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Monteverdi Choir performs Bach

Recorded straight after the Monteverdi Choir’s European tour in 2016 celebrating Christmas in JS Bach’s Leipzig, this festive programme irons out many of the misgivings commentators had of the live performances. In the acoustics of St Jude’s, Hampstead, Sir John Eliot Gardiner’s step-out soloists are consistently strong, and their varied contributions mirror the alluring array of affects achieved by the ensemble as a whole.

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John Eliot Gardiner conducts JS Bach's St Matthew Passion

It is almost 30 years since John Eliot Gardiner made his first commercial recording of Bach’s Great Passion, as his family were accustomed to call it. Gardiner’s approach has not significantly changed over the decades though one discernible difference is a mixed male and female voice texture for the alto strand of the choral numbers as opposed to the all-male countertenor line up of the earlier version. I prefer the mixed sound though some readers may not.

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