Rubicon reviews

A Sicilian Traveller (Alessio Pianelli)

Avos Chamber Orchestra/Alessio Pianelli (cello) (Rubicon)
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Beethoven: Scottish Songs, Op. 108

Rufus Müller (tenor); Hammer Clavier Trio (Rubicon)
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Rapa Nui Odyssey

Mahani Teave (piano) (Rubicon)
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Reflections: Mompou • Ravel

Julien Brocal (Rubicon)
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Travels with Goliath: In the footsteps of Josef Kämpfer

Grigory Krotenko, 
Ilya Mazurov; Barocco Concertato/Maria Krestinskaya (Rubicon)
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Momento Immobile: Arias by Bellini, Donizetti and Rossini

Venera Gimadieva, Natalia Brzezińska, Alberto Sousa; The Hallé/Gianluca Marcianò (Rubicon)
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Bruch: Violin Concerto No. 1; Stenhammar: Violin Sonata in A minor, Op. 19; Two Sentimental Romances

Christian Svarfvar, Henrik Måwe; London Philharmonic Orchestra/Joana Carneiro (Rubico)
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Bartók • R Schumann

Stephen Waarts & Gabriele Carcano (Rubicon)
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Schumann: Humoreske; Davidsbündlertänze; Geistervariationen

Gabriele Carcano (Rubicon)
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The Dreams & Fables I Fashion

Elicia Silverstein, Mauro Valli, Michele Pasotti (Rubicon)
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Mozart: Così fan tutte

Francesco Vultaggio, Héloïse Mas, Alexander Sprague, Biagio Pizzuti, Hamida Kristoffersen; European Opera Centre; Royal Liverpool Philharmonic Orchestra/Laurent Pillot (Rubicon)
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Christopher König and Solistes Européens Luxembourg perform Beethoven and Méhul

Beethoven didn’t write music in a vacuum. Much is made of how influential he has been to almost every composer who followed, but it has been harder to find explorations of the music and composers he was shaped by himself.

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Histoires d'un Ange

Johanna Rose (viola da gamba), et al (Rubicon)
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Fenella Humphreys soars in The Four Seasons Recomposed

‘Humphreys mines the repetitive melodies for subtelties of colour, rather than drama’
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The Alehouse Sessions: Barokksolistene's improvisations on music from the English 17th-century tavern

There’s no danger that Norway’s Barokksolistene will be abandoning the day job any time soon. But for the past decade the enterprising period instrument ensemble, directed by Bjarte Eike, has been moonlighting with ‘alehouse sessions’ raising a glass or three to the boozy world of music-making to be found in the taverns where Henry Purcell and his contemporaries liked to unwind. It’s not just the beer that’s subject to a good mash-up!

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Sonya Bach brings a 'clean, jewel-like tone' to JS Bach's Keyboard Concertos Nos 1-5 & 7

Bach’s keyboard concertos are, in fact, his own recyclings for harpsichord and strings of sundry earlier works – fine examples of how he refashioned his music according to his resources and circumstances. Had he lived a generation later, he would might have played them on the piano, as his namesake Sonya Bach does here.

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