Salif Keita: La Difference

Salif Keita: La Difference

The finale of the Malian pioneer’s decade-spanning ‘acoustic trilogy’ brings the engrossing experience of a musician totally at ease with his many talents.

It follows a cumulative trajectory like a well-planned concert, addressing his audience with directness from the start and moving from the vital to the intense, celebratory and heartfelt.

Our rating

5

Published: January 20, 2012 at 4:31 pm

COMPOSERS: Salif Keita
LABELS: Decca
CATALOGUE NO: 882 4026

The finale of the Malian pioneer’s decade-spanning ‘acoustic trilogy’ brings the engrossing experience of a musician totally at ease with his many talents.

It follows a cumulative trajectory like a well-planned concert, addressing his audience with directness from the start and moving from the vital to the intense, celebratory and heartfelt.

Lightly and imaginatively varied in instrumentation – occasional Arabic touches include an oud and a Lebanese string section – the music rests on a plucked foundation of guitar and n’goni (lute) in energetic support of

Keita’s long, high-lying vocal phrases. As well as revisiting some of his own classics, notably the affecting song of bereavement ‘Papa’ and the politically charged ‘Folon’, he seeks out new domains: the title track refers to his white skin, and the whole album is dedicated to the victims of an anti-albino prejudice that’s still rife across the continent. A true affirmation. Robert Maycock

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