The best sea shanty collectors from history

Sea shanties have been passed through the generations as one of the primary forms of folk song. As well as simply being shared through word of mouth, there were a few song collectors from the 20th century who helped put them down on paper and establish a library of shanties sung on ships at sea

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Published: March 3, 2022 at 4:52 pm

'In the folk music world, you don't steal songs – you collect them,' says Bryn Stephens of Bristol-based shanty crew The Roaring Trowmen. These days, sea shanty groups might 'collect' songs from YouTube, other groups at festivals or even TikTok, but in the 20th century there were a few historians, shantymen and poets who put pen to paper (or recording device to mouth) to help us build the library of shanties we have today.

The best sea shanty collectors from history

Stan Hugill (1906-92)

Known as ‘The Last Shantyman’, Stan Hugill was a sea shanty collector from Merseyside, the epicentre of England’s shanty tradition. He spent 23 years at sea, including a stint as the shantyman on the final voyage of Garthpool, Britain’s last commercial sailing ship. After retiring in 1945, he transcribed and recorded the shanties he had learnt at sea. He also penned several books on shanties, which remain a go-to resource for singers today.

Alan Lomax (1915-2002)

‘What Enrico Caruso was to singing, Alan Lomax is to musicology,’ said oral historian Studs Terkel in 1997. A staunch advocate for the protection of folk music, Lomax collected and recorded songs, particularly from the African-American music traditions. In 1935, he travelled with folklorist Mary Elizabeth Barnicle to record work songs and interview sponge fishermen on Andros Island in the Bahamas, continuing that work across the Caribbean and West Indies.

Find out what we chose as the best sea shanties of all time.

Cicely Fox Smith (1882-1954)

A leading nautical poet of the early 20th century, Cicely Fox Smith also collected sea shanties, publishing a book which included ‘Whiskey Johnny’ and ‘Blow the Man Down’. It's believed that she travelled on a steamship to Montreal with her sister in 1911, and then continued on to British Columbia. While living and working in Vancouver Island, she spent time talking to sailors. It was here that she transformed the stories of these sailors into her poetry and written work – much of it written from the perspective of the sailors themselves.

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