Shapeshifters: rock's 17 most radical reinventions, ranked

Shapeshifters: rock's 17 most radical reinventions, ranked

From Dylan’s electric shock to Bowie’s endless reinventions, these 15 acts didn’t just evolve — they transformed so radically they became almost unrecognisable

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Rock music thrives on change.

Some bands lock into a formula and ride it for decades, while others shed their skins like chameleons, moving restlessly between sounds, images, and eras. Sometimes reinvention comes out of necessity: lineup changes, cultural shifts, or a desperate attempt to stay relevant. Other times it’s pure creative instinct, the refusal to be pinned down.

Few things are as thrilling in rock history as watching an artist you thought you knew take a wild leap into the unknown. The folkie who plugs in and roars like an electric prophet; the glam icon who abandons glitter for icy Berlin minimalism; the prog rock adventurers who suddenly turn up on MTV with radio hits. Reinventions can baffle, alienate, or even derail careers, but they can also produce the most enduring work of all.

Here are 15 of the most dazzling transformations in rock — artists and bands who, across their careers, changed so completely they almost became unrecognisable, yet left behind fascinating trails of music. Ranked from the least radical to the most astonishing reinventions, it’s proof that in rock, change is not just inevitable — it’s essential.


The Sweet, British rock band, 1976

17. The Sweet

Known for bubblegum glam hits like 'Ballroom Blitz' and 'Fox on the Run', The Sweet stunned fans with 1978’s Level Headed. Out went the glitter stomp, in came moody art-rock textures and even progressive leanings, with the lush 'Love Is Like Oxygen' as its radiant centrepiece. The shift baffled many, but revealed unexpected ambitions. With the benefit of hindsight, it was a bold but wrong-headed move - three more underwhelming albums followed before the band split in 1981.


16. Chicago

The horn-heavy experimentalists of Chicago Transit Authority (1969) were pushing jazz-rock into bold new territory, fusing extended improvisations with brass-driven rock energy. But by the 1980s, the band had shed much of its adventurous spirit, evolving into sleek, radio-friendly hitmakers. Trading experimentation for glossy production and sentimental power ballads like “Hard to Say I’m Sorry,” Chicago achieved massive commercial success. Yet the transformation left many early fans bewildered, as the fiery innovators became virtually unrecognizable adult-contemporary staples.

Music group Chicago poses for a portrait in 1984 in Los Angeles, California

The Clash 1981

15. The Clash

“The only band that matters” weren’t content with three-chord punk for long. From London Calling (1979) onwards, The Clash absorbed reggae, dub, funk, and even early hip-hop. Their willingness to embrace global sounds turned them into sonic revolutionaries. Sandinista! sprawled across three LPs, bewildering some but showcasing their range. By Combat Rock, they were stadium stars. While the lineup imploded soon after, their stylistic bravery expanded what punk could mean.


14. Japan

Early Japan were often dismissed as shallow Bowie imitators, all heavy makeup, camp theatrics, and sleazy glam-rock riffs. Yet within just a few years, they underwent a stunning transformation. By Gentlemen Take Polaroids (1980) and especially 1981's Tin Drum, the guitars were largely gone, replaced by atmospheric synths, minimalist textures, and striking Eastern influences. This evolution didn’t just redefine their sound — it positioned Japan as true pioneers of art-pop and the New Romantic movement.

English new wave band Japan, photo session at a photo studio in Tokyo, Japan, March 1980. (L-R) Richard Barbieri (keyboards), Mick Karn (bass),David Sylvian (vocals), Steve Jansen (drums),Rob Dean (guitar)

13. Franco Battiato

Italian singer-songwriter and director Franco Battiato posing sitting in front of a white piano. 1981
Angelo Deligio/Mondadori via Getty Images

Franco Battiato’s career is one of the most eclectic in modern music. He emerging in the early 1970s with experimental, avant-garde works: his 1972 debut Fetus (1972) was a surreal blend of avant-garde electronics, psychedelic rock, and sci-fi themes. Across the decade, Battiato embraced electronics, minimalism, and progressive rock.

He then pivoted radically toward lush, melodic pop in the 1980s, achieving mainstream success with albums like La Voce del Padrone (and representing Italy in the 1984 Eurovision Song Contest). A restless innovator, he also explored opera, classical composition, spiritual themes, and multimedia projects, always refusing to be pinned down. His art bridged the esoteric and the accessible, making him both a cult icon and a beloved national figure in Italy until his passing in 2021.


Talk Talk, 1984

12. Talk Talk

Initially celebrated for slick early-’80s synth-pop hits like 'It’s My Life' and 'Such a Shame', Talk Talk stunned the music world by turning their backs on chart success. With Spirit of Eden (1988) and Laughing Stock (1991), they created sparse, slow-burning, and hauntingly atmospheric soundscapes, fusing rock, jazz, and silence itself. Deeply uncommercial yet visionary, these records baffled contemporary audiences but later earned cult status, laying the groundwork for the entire post-rock genre.


11. Pink Floyd

Pink Floyd’s story is one of evolution through collapse. Syd Barrett’s playful psychedelia defined The Piper at the Gates of Dawn (1967), but his mental health crisis forced his departure. Under Roger Waters, they became masters of sprawling, conceptual darkness (The Dark Side of the Moon, The Wall). Later, with David Gilmour at the helm, the band’s sound turned more polished and arena-ready, as on A Momentary Lapse of Reason. Few bands embody three such distinct eras, each iconic in its own way.

Pink Floyd 1967'. left to right : back, Roger Waters, Syd Barrett, front, Nick Mason and Rick Wright

Journey, rock band, 1981. L-R Jonathan Cain, Steve Perry, Neal Schon, Ross Valory, and Steve Smith

10. Journey

Journey began in the early ’70s as a Santana offshoot, dabbling in prog-tinged jazz-rock with dazzling musicianship but little commercial traction. Everything changed when Steve Perry (pictured, second left) joined in 1977, steering the band toward polished arena rock anthems like 'Don’t Stop Believin'. Their mix of soaring vocals, power ballads, and glossy production defined ’80s AOR. Though Perry’s departure led to shifting lineups and styles, Journey’s evolution from jam-band roots to stadium-rock titans remains one of rock’s great transformations.


9. Roxy Music

Early Roxy Music was chaos: Brian Eno’s synth squiggles, Bryan Ferry’s croon, feathers and sequins everywhere. They sounded like aliens gatecrashing Top of the Pops. By the early ’80s, though, Roxy had slimmed down into purveyors of sophisticated, satin-smooth pop. Avalon (1982) is miles from Virginia Plain’s art-school glam, yet equally influential — a blueprint for everything from New Romanticism to modern lounge music. Their transformation was extreme but somehow seamless.

Roxy Music, 1972. L-R Brian Eno, Bryan Ferry, John Porter, Andy Mackay, Paul Thompson and Phil Manzanera

8. The Bee Gees

Bee Gees performing at the Music for UNICEF Concert, New York City, January 1979. Left to right: Maurice, Barry, and Robin Gibb
Michael Putland/Getty Images

The Bee Gees began in the 1960s as a melodic, harmony-driven pop-rock band, producing gentle hits like 'Massachusetts' and 'First of May' that showcased their Lennon-McCartney-inspired sensibilities. By the early ’70s, they were exploring more introspective singer-songwriter territory, blending orchestral arrangements with falsetto harmonies.

Their most radical transformation came in the mid-’70s, when they embraced disco with Saturday Night Fever, morphing into the era’s defining dance-floor phenomenon. Falsetto-led funk rhythms, pulsating basslines, and theatrical production turned them from middle-of-the-road pop stars into global icons, demonstrating an extraordinary ability to reinvent themselves while maintaining their distinctive vocal identity, proving that the Bee Gees were as adaptable as they were prolific.


Yes band 1976 - Chris Squire Steve Howe

7. Yes

Few transformations are more whiplash-inducing than Yes. In the ’70s, they crafted symphonic prog epics: side-long tracks, ornate musicianship, Roger Dean artwork. By the mid-’80s, with Trevor Horn joining, they pivoted to sleek pop-rock. 90125 (1983) gave them 'Owner of a Lonely Heart', a surprise MTV hit powered by digital production and radio hooks. It introduced Yes to an entirely new audience — though some fans never forgave them for leaving the Mellotron behind.


6. The Cure

The Cure’s career is a masterclass in transformation. Emerging from late-’70s post-punk minimalism, they quickly embraced shadowy atmospherics, defining goth with albums like Seventeen Seconds and Pornography. Yet Robert Smith never stayed in one mood for long. Surreal pop whimsy surfaced in 'The Lovecats', lush romantic melancholy in Disintegration, and radio-friendly sparkle in 'Friday I’m in Love'. Across decades, The Cure balanced darkness and light, redefining themselves while retaining a uniquely haunting, instantly recognisable identity.

The Cure 1981. L-R Robert Smith, Simon Gallup, Lol Tolhurst

Genesis 1976 with Bill Bruford

5. Genesis

Genesis began as a quintessential prog outfit: long songs, elaborate costumes, Peter Gabriel leading the theatrics. After his departure, Phil Collins stepped up, and the band slowly slimmed down their sound. By the ’80s, they were radio kings, churning out hits like 'Invisible Touch'. The transformation from Nursery Cryme and Foxtrot’s prog epics to MTV anthems is among rock’s most dramatic — and proof that reinvention can also equal commercial domination.


4. Fleetwood Mac

The earliest Fleetwood Mac was a gritty British blues band led by Peter Green, worshipping at the altar of Elmore James. By the mid-’70s, with Lindsey Buckingham and Stevie Nicks on board, they’d morphed into California’s kings and queens of polished soft rock. Rumours sold in the tens of millions, a far cry from Albatross or Oh Well. The name stayed the same, but the sound? Utterly transformed.

Fleetwood Mac 1976: (Clockwise from left) Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks (center)

3. Demis Roussos

Demis Roussos 1975
William KAREL/Gamma-Rapho via Getty Images

Demis Roussos began his career as the singer and bassist of Aphrodite’s Child, the Greek prog-rock trio known for the ambitious, otherworldly 666. The band’s dense arrangements, experimental structures, and psychedelic flourishes made them cult favourites, but hardly commercial giants.

After the group disbanded, Roussos embarked on a solo career that could not have been more different: ornate, melodramatic, and emotionally direct pop ballads and schlager-style hits. With songs like 'Forever and Ever', his soaring, vibrato-laden vocals reached mass audiences across Europe and beyond. From avant-garde prog-rock oddity to international pop phenomenon, Roussos’s transformation was both stylistically radical and commercially spectacular, proving an artist could reinvent himself completely while retaining the dramatic flair that defined his early work.


2. The Beatles

The Beatles at the press launch for their new album 'Sergeant Pepper's Lonely Hearts Club Band', held at Brian Epstein's house, London, 19th May 1967. Left to right: George Harrison, Ringo Starr, John Lennon and Paul McCartney
Cheer up, George! The Beatles fool around at the Sergeant Pepper press launch, 1967 - John Downing/Getty Images

From the infectious mop-top charm of A Hard Day’s Night to the kaleidoscopic, genre-defying vision of Sgt. Pepper’s Lonely Hearts Club Band, The Beatles transformed more in seven years than most bands manage in a lifetime. Their evolution from catchy, straightforward love songs to the experimental sound collages of, say, Revolution 9 is staggering.

Each album deliberately upended the expectations set by the last, challenging both themselves and their listeners. The Beatles didn’t simply reinvent their own sound — they rewrote the rulebook for popular music, expanding what rock could be, how it could feel, and what it could mean.


1. David Bowie

David Bowie performs live at Ahoy, Rotterdam on May 13th 1976 on the final leg of his 1976 World Tour
Gijsbert Hanekroot/Redferns/Getty

David Bowie’s career is arguably music’s most astonishing study in reinvention. From the soulful melancholia of 'Space Oddity' to the glam-drenched theatrics of Ziggy Stardust, he constantly reshaped his sound, image, and persona. As Aladdin Sane, he explored fractured, avant-garde art-pop; as the icy Berlin-era Bowie, collaborating with Brian Eno, he created shadowy, experimental synth landscapes.

In the 1980s, he pivoted again, delivering chart-friendly hits like 'Let’s Dance' without losing artistic credibility. Each transformation felt both shocking and inevitable, a fearless confrontation with stylistic boundaries. Beyond musical style, his stage personas — from the androgynous alien messiah to the suave Thin White Duke — allowed him to explore identity, sexuality, and theatricality in ways few artists dared.

Marianne Faithfull and David Bowie recording 'The 1980 Floor Show' for the NBC 'Midnight Special' TV show, at the Marquee Club in London, 20 October 1973
Marianne Faithfull and David Bowie recording 'The 1980 Floor Show' for the NBC 'Midnight Special' TV show, at the Marquee Club in London, 20 October 1973 - Jack Kay/Daily Express/Hulton Archive/Getty Images

Bowie’s restless curiosity carried him through rock, soul, funk, electronic, and industrial influences, leaving a legacy of innovation unmatched in modern music. His career wasn’t just a sequence of hits or personas; it was a masterclass in evolution, an enduring lesson in how an artist can continually surprise, challenge, and inspire. Bowie’s genius was that he never stayed in one place — and in doing so, he rewrote the possibilities of what popular music could be.

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