Read our quick guide to Vaughan Williams's The Lark Ascending here

Advertisement

Tasmin Little

BBC Philharmonic/Andrew Davis
Chandos CHAN10796 (2013)

The second of Little’s recordings of Vaughan Williams's The Lark Ascending captures the wistfully melancholic dimensions to the English composer's score in the most natural, unsentimental way.

Read our full review of this recording here

Tasmin Little The Lark Ascending Vaughan Williams BBC Philharmonic/ Andrew Davis Chandos CHAN10796

Hugh Bean

Philharmonia Orchestra/Adrian Boult
Warner Classics 680 5262 (1967)

This classic performance of Vaughan Williams's The Lark Ascending remains a perennial favourite. Famously learned by Hugh Bean in a matter of hours to fill spare studio time. Immaculately shaped, this is an unforced yet radiant recording of Vaughan Williams's great work for violin and orchestra.

CD_Bean_cmyk

Six of the best pieces of music inspired by birdsong

Iona Brown

The Academy of St Martin in the Fields/Neville Marriner
Decca 478 5692 (1971)

The Lark Ascending was a work Iona Brown adored and spoke about with passion and eloquence. Her performance here fully reflects that affection without ever being over-indulgent.

Iona Brown Vaughan Williams The Lark Ascending The Academy of St Martin in the Fields/ Neville Marriner Decca 478 5692 (1971)

Jennifer Pike

Martin Roscoe (piano)
Chandos CHAN20156 (2020)

In The Lark Ascending’s early days, it was regularly heard in Vaughan Williams's violin-and-piano arrangement, yet this is barely available in recordings. Jennifer Pike’s performance is bewitchingly immaculate.

Read our full review of this recording here.

Jennifer Pike Vaughan Williams The Lark Ascending Martin Roscoe (piano) Chandos CHAN20156 (2020)

Read more reviews of Vaughan Williams latest recordings here

Advertisement

Here are the best music streaming services on offer

Authors

Freya ParrDigital Editor and Staff Writer, BBC Music Magazine

Freya Parr is BBC Music Magazine's Digital Editor and Staff Writer. She has also written for titles including the Guardian, Circus Journal, Frankie and Suitcase Magazine, and runs The Noiseletter, a fortnightly arts and culture publication. Freya's main areas of interest and research lie in 20th-century and contemporary music.