Ceremony of Carols
Composed in 1942 while Britten was crossing the Atlantic from America, its unusual scoring of treble voices and harp present a range of serene, exhilarating and ecstatic settings of medieval carols.
Choir of King’s College, Cambridge/David Willcocks
Classics for Pleasure 968 9492
Serenade for Tenor, Horn and Strings
This was Britten’s first major work on returning to England. The calm pastoral of its opening song revealed a new vein in his music.
Peter Pears (tenor), Barry Tuckwell (horn); English Chamber Orchestra/Benjamin Britten
Decca 436 3952
The première secured Britten’s international fame and the opera testifies to Britten’s masterful sense of drama.
Peter Pears; Royal Opera House Chorus and Orchestra/Benjamin Britten
Decca 467 6822
Written for the reconsecration of Coventry Cathedral, Britten juxtaposed the Requiem Mass with poems by Wilfred Owen.
Peter Pears, Dietrich Fischer-Dieskau; Bach Choir; LSO/Benjamin Britten
Decca 475 7511
Suite on English Folk Tunes
Britten admired Grainger more than Vaughan Williams, and this is evident in his by turns quirky and brooding suite.
Bournemouth SO/Richard Hickox
Chandos CHAN 9221