Twist of fate: the 9 luckiest breaks in rock history

Twist of fate: the 9 luckiest breaks in rock history

From rain-soaked concerts to last-minute substitutions and happy accidents, rock history is full of chance moments that changed everything

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Getty Images/Ray Weaver/Daily Mirror/Mirrorpix


Great music isn’t always born of careful planning.

Sometimes it emerges from missed chances, technical mishaps or spur-of-the-moment decisions that no one could have predicted. From last-minute festival substitutions to genre-defining sounds created by accident, these unlikely turns of fate reveal how luck has played a quiet but decisive role in rock music’s biggest stories.

Rock music’s luckiest breaks

1. David Bowie gets lift-off

David Bowie 1969
Michael Ochs Archives/Getty Images

In 1969, David Bowie was a struggling artist facing a string of commercial failures that threatened his career. He released 'Space Oddity' just nine days before the historic Apollo 11 moon landing, a move that proved to be a stroke of marketing serendipity. The BBC, desperate for thematic music to accompany their marathon television coverage of the mission, placed the song on heavy rotation.

Ironically, the lyrics describe an astronaut hopelessly drifting into a 'tin can' in space – hardly a celebratory anthem for a lunar voyage. Nevertheless, the massive public exposure transformed the track into a Top 10 hit, providing the crucial momentum and financial security Bowie needed to eventually reinvent himself as Ziggy Stardust.


2. George Martin takes a punt (1962)

The Beatles pose for a portrait with their producer George Martin and a record, photo in black and white
George Martin with The Beatles, 1963

In 1962, The Beatles had already been rejected by several major labels, including Decca, who had told them that guitar bands were ‘on the way out’. Things weren’t looking good for the Liverpudlian lads, until their manager Brian Epstein showed a tape of their unsuccessful Decca audition to George Martin.

Martin worked for EMI’s Parlophone, a relatively minor label at the time, and had previously been mainly known for producing comedy and novelty records, working with the likes of Peter Sellers and Spike Milligan. He wasn’t initially all that impressed by The Beatles. He didn’t think they were great musicians – but he saw that they had personality, so decided to take a risk.

In time, he used his expertise to transform their raw ideas into the records – so much so that he was often referred to as ‘The Fifth Beatle’ – and helped them become the band we remember today.  


3. Blondie and the 'wrong' video tape

Blondie at the Sunset Marquis, West Hollywood, April 24, 1978
Blondie at the Sunset Marquis, West Hollywood, April 24, 1978 - Armando Gallo/Getty Images

In 1977, an Australian TV show called Countdown accidentally played the video for Blondie's 'In the Flesh' instead of the band's intended single, 'X Offender'. The song was a massive hit in Australia, giving the band their first taste of stardom. This momentum eventually carried back to the UK and US, providing the New York punks the commercial leverage they needed to become global icons.


4. Cheap Trick and the 'Budokan' accidental live album

Bun E. Carlos, Tom Petersson, Rick Nielsen and Robin Zander of Cheap Trick, 1978
Bun E. Carlos, Tom Petersson, Rick Nielsen and Robin Zander of Cheap Trick, 1978 - Chris Walter/WireImage via Getty Images

Cheap Trick were a mid-level opening act in America when they toured Japan in 1978. They recorded their shows at the Nippon Budokan solely for the Japanese market. However, American fans began importing the high-energy live record in such massive numbers that Epic Records was forced to release it domestically. At Budokan became their triple-platinum breakthrough, turning a 'local' souvenir into a global power pop phenomenon.


5. The Police and the Wrigley's Gum Commercial

The Police, 1978
The Police, 1978. From left, Stewart Copeland, Sting, Andy Summers - Peter Noble/Redferns via Getty Images

Struggling for cash in their early days, The Police (plus Sting’s then-collaborator) were hired for a Wrigley's chewing gum commercial. The director required them to bleach their hair blond to look like 'punks'.

They hated the look, but it gave them a striking, unified visual identity that made them stand out on Top of the Pops and MTV. Without that commercial gig, the iconic 'blond trio' look might never have existed.


6. Fleetwood Mac's accidental lineup (1974)

Bassist John McVie (left) and guitarist Lindsey Buckingham of Fleetwood Mac outside a recording studio in New Haven, Connecticut, October 1975
Bassist John McVie (left) and guitarist Lindsey Buckingham of Fleetwood Mac outside a recording studio in New Haven, Connecticut, October 1975 - Fin Costello/Redferns/Getty Images

When Mick Fleetwood was auditioning guitarists in 1974, he was recommended a young Californian named Lindsey Buckingham. Buckingham, however, issued an unexpected condition: he'd only join if his girlfriend and musical partner Stevie Nicks came as part of the deal. Fleetwood, who had no particular need for a second vocalist, agreed somewhat reluctantly – and the entire trajectory of rock history shifted on that single, slightly awkward negotiation.

The two additions transformed what had been a respected but commercially struggling British blues band into a sleek, sun-drenched Californian pop-rock juggernaut. Within two years they had recorded Rumours — one of the best-selling albums in history. All because Buckingham refused to go it alone.


7. Bob Dylan ‘plugs in’ (1965)

Bob Dylan Newport Folk festival 1965
Bob Dylan plays a Gibson acoustic guitar as he performs on stage at the Newport Folk Festival,July 25, 1965, Newport, Rhode Island - Getty Images

At the 1965 Newport Folk Festival, Bob Dylan shocked folk purists as he performed with an electric band, all playing electric instruments. The artistic choice wasn’t universally enjoyed, with some booing the performance. In fact, this continued to happen in subsequent tours. In Manchester in 1966, a member of the crowd shouted ‘Judas!’ at Dylan for his use of electric guitar.

This artistic break from the acoustic folk scene helped establish Dylan’s later sound, bringing together the lyrical depth of folk music with the power of rock.


8. The Stones do it in their sleep (1965)

The Rolling Stones rehearsing for the TV programme Ready Steady Go!, London, 26 February 1965. Left to right: Brian Jones, Mick Jagger, Charlie Watts, Keith Richards
The Rolling Stones rehearsing for the TV programme Ready Steady Go!, London, 26 February 1965. Left to right: Brian Jones, Mick Jagger, Charlie Watts, Keith Richards - George Wilkes/Hulton Archive/Getty Images

You might think the iconic riff from the Rolling Stones’ 1965 breakthrough hit ‘I Can’t Get No (Satisfaction)’ was a carefully produced masterpiece – but not a bit of it. Guitarist Keith Richards actually came up with the deathless melody in his sleep. He woke up in the middle of the night, the eight-note riff in his head, and grabbed his Philips cassette recorder to play the tune on his guitar, before falling back asleep.


9. Sabbath's Tony Iommi finds a new genre at his fingertips

A black and white photograph of Tony Iommi from Black Sabbath performing live on stage
Black Sabbath's Tony Iommi onstage, 1977

Black Sabbath’s unique guitar sound came through a not-entirely-happy accident. The band’s guitarist Tony Iommi lost the tips of the middle two fingers on his right hand in an accident at a sheet metal factory when he was 17, and was forced to wear prosthetic fingertips from melted plastic (from a Fairy Liquid bottle) and leather while playing the guitar.

As a result, he preferred to use lighter strings and lower tunings, using his other two fingers to lay down chords and then adding vibrato to thicken the sound. When paired with the effect of his custom fingertips, this created the dark, heavy sound that came to define Black Sabbath – thereby contributing to the resulting heavy metal movement.


Five more of rock's luckiest breaks

10. Pulp to the rescue (1995)

Photo of Jarvis COCKER and Steve MACKEY and PULP, Jarvis Cocker and Steve Mackey performing live onstage
Jarvis Cocker and Steve Mackey of Pulp during their breakthrough Glastonbury set - Getty Images

In 1995, The Stone Roses were due to headline Glastonbury Festival – but guitarist John Squire broke his collarbone in a cycling accident just a few weeks before the Pyramid Stage set, leaving Glastonbury organisers scratching their heads. Pulp were scheduled to play the much smaller NME stage on the Friday, but they were promoted to the main stage as replacements for The Stone Roses.

In what is still regarded as one of the best Glastonbury sets in history, Pulp’s performance cemented their Britpop stardom and propelled them to the mainstream.

In 2025, they returned to the Pyramid Stage in another unexpected set, performing under the secret alias ‘Patchwork’ following the release of their new album More, their first in 24 years.

We named The Stone Roses' self-titled debut album as one of the best 1980s album covers.


11. U2 ride the storm (1983)

U2 1983
Getty Images

In June 1983, U2 were set to perform at Red Rocks Amphitheatre in Colorado to film their first video release. They’d invested a great deal of money in filming the set in the hope of promoting their music to US audiences. But the weather had other plans. A violent rainstorm meant that the opening acts cancelled, and only between 4500 and 9000 people attended, despite the show selling out.

U2 still decided to go through with their set, a choice that ended up playing in their favour. The rain, fog and dramatic storm transformed the concert into an epic cinematic spectacle. The video footage not only became the defining image of the band; it was also picked up by MTV, which had enormous promotional power in the early 1980s.

We named U2's October among rock's famous second album flops.


12. Hendrix heads for London (1966)

Rock guitarist Jimi Hendrix poses for a portrait sitting in a chair in 1966 in London, England
Jimi Hendrix poses for a portrait in 1966 in London, the year he moved to the UK capital

Before Jimi Hendrix moved to London in 1966, he was a gigging musician in the US, working particularly in the R&B circuit. In a New York club, he was spotted by Linda Keith, the then-girlfriend of Rolling Stones guitarist Keith Richards, who was captivated by his playing. She introduced him to Chas Chandler, former Animals bassist and aspiring manager. Chandler brought him to London to launch his solo career, forming the Jimi Hendrix Experience and catapulting Hendrix to global stardom.

We named The Jimi Hendrix Experience's album Electric Ladyland as one of the best farewell albums in history.


13. Nirvana stumble on an anthem (1991)

Black and white photo of American rock group Nirvana, backstage in Frankfurt, Germany, 12th November 1991. Left to right: drummer Dave Grohl, singer and guitarist Kurt Cobain. With graffiti bathroom backdrop
Nirvana backstage in Frankfurt, November 1991, two months after releasing 'Smells Like Teen Spirit'. L-R: drummer Dave Grohl, singer and guitarist Kurt Cobain and bassist Krist Novoselic

Kurt Cobain created the ‘Smells Like Teen Spirit’ riff not in the hope of creating a pioneering new sound – he was actually trying to rip off the Pixies. Even after the song was released, the band were worried the sound was too Pixies-esque.

Even the song’s title was an amusing misunderstanding. Cobain’s friend Kathleen Hanna (lead singer of Bikini Kill) wrote the phrase ‘Smells Like Teen Spirit’ on his bedroom wall, referencing the popular deodorant brand Teen Spirit.

At the time, Cobain’s girlfriend used the deodorant, so Hanna was riffing on the idea that Cobain smelled similar to her. Cobain was entirely unaware that the deodorant brand existed, and took the phrase as a powerful slogan, only learning its true origins months after the song became a hit.

We named Nirvana's 'Smells Like Teen Spirit' in our round-up of 15 songs that sound like nothing else.


14. Van Halen ‘Erupt’ (1978)

Van Halen pose in their tour bus outside Lewisham Odeon in London in May 1978, just a few months after releasing their debut self-titled album. On the table in front of the band are various beer cans and a replica hand gun.
Van Halen in their tour bus, May 1978. L-R: Michael Anthony, David Lee Roth, Eddie Van Halen, Alex Van Halen - Getty Images

‘Eruption’ is perhaps an unlikely track to appear on a debut album, a 1:42-minute guitar solo performed by Eddie Van Halen and the second track on Van Halen’s self-titled 1978 debut. It wasn’t initially supposed to appear on the album – it was simply a solo Van Halen performed live in clubs. But record producer Ted Templeman overheard Van Halen rehearsing it in the studio for a later club date, and decided it had to be included on record.

Van Halen himself wasn’t even that happy with the performance of it on disc – now considered to be one of the greatest guitar solos in history. ‘I didn’t even play it right,’ he says. ‘There’s a mistake at the top end of it. To this day, whenever I hear it, I always think, “Man, I could’ve played it better”.’

The power of ‘Eruption’ on the record showed the true virtuosic power of Eddie Van Halen, and has gone down in history as one of the greatest guitar tracks on record.

We named Van Halen's dissolution as one of rock's messiest breakups.


Top pic: Van Halen by the pool, 1979.
All pics Getty Images

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